Friday, April 30, 2010

Fresh Fruit for Rotting Apples? / Cold Miser Consumes the Teenage Anarchists.

  *Note*  October 6th, 2011


With the sad news that Mr. Jobs has passed away I feel it necessary to add my condolences to the families both intimate and corporate.  


Despite my Vitriol below I have admired and desired nearly every product Apple put out under the tutelage of Mr. Jobs.    I still stand by my statement that he and  the company had (and most likely have permanently ) forgotten their free for all, crash the gates beginnings.  


Thank you Mr. Jobs, for all of it. 


 ------------------------------------------------------------------------------------


Whether you are a fan of Apple or, more specifically, of Jobs and his dramatic itinerant tenures  at the helm, together they have created some of the most technologically innovative and visually stunning products.  When a new Apple product is announced you either sit on pins and needles waiting for yours to arrive or pine for a version by someone other than ‘The Fruit’ –(usually too long and without the panache Job’s baby has).   


Apple has always had a passionate community who extolled the virtues of the products and who built support infrastructures, on their own time, where millions evangelized for them, keeping the faith and business in the black. Apple owes its very current day existence to this formidable army of crack volunteers, for without them Job’s company would only be an asterisk in the book of computer and online media history – just above Be OS and just below the Amiga. 


I was amongst the faithful for years, helping out with local user groups and brandishing the rainbow apple on my board, skates and car. My distance from the group simply came as my professional life led me into working with applications and programs that did not –then- run on the Macs. I still proudly maintain my Powerbook 540 (active matrix screen!), I still use my 2nd generation iPod nearly every day and dream of the day I too can work on an Apple widescreen display.  My point being that while I drifted from a daily use of apple products, I always maintained a respect or perhaps a worshipful admiration for Mr. Jobs and his company.  


The last couple of weeks of embarrassingly draconian actions by Jobs have left me wondering - When did Steve Jobs become Mr. Cold Miser?











 


Mr. Jobs history of secrecy and his reputation as a demanding and harsh task master is well discussed in the media, but the recent actions attributed to him have caused me to rethink my opinion and to hold my wallet. From the seemingly random approval or rejection of iPhone apps, to the letting loose the dogs of war –and the police – on the Gizmodo editor and most recently attempting to trademark iPhone icons (the style, look, etc), I have to wonder if Jobs has lost his mojo.  


Updated 5-22-----------
Steve Jobs now procliams to be the tech worlds moral compass http://huff.to/bzBz6o
My issue with this new side of Jobs is not his anti porn stance persay, but his presumption to to limit an internet acess tool into a moral compass.  I wonder if there is an app for that? (Actually, there is)
-------------------------


I have previously commented on what I have begun to see as the danger in letting one charismatic company become the sole – for all intensive purposes – conduit for which mobile media is accessed and viewed.  To be sure the iPod/Phone/Tunes business model made the mp3 and podcasting a viable social movement and I feel we are better –(and better informed) for it.  I wonder aloud if Jobs has succumbed to the same claustrophobic paranoia Adam Curry -(father of the Podcast movement)- is fabled for.


Don't you remember when you built illegal Blue Boxes? 


 


Hey Steve, Baby- Don’t you remember when you were a teenage anarchist?


 









 


  



Sunday, March 7, 2010

The Birth of Modern Music, The Value of History- a mini tribute to Raymond Scott

Our time is one  of daily paradigm changes  in  the technological, cultural and philosophical  arenas, where today’s internet superstar product is granted 5 minutes of fame only to be usurped at minute 4.5- often by the same creator or venture capitalist.  Despite the contributions to the revolution most of these individual –(and companies)- have made, they are destined to be remembered by only a few associates or researchers of the arcane.


I have been fortunate to have had many mentors –direct and incidental- who helped create or were involved from the onset in the early days of multi-image, AV and music recording.  Most of their names would be unknown or, perhaps, considered irrelevant to current installers, content creators or even heads of companies in the industry, yet they practice or build on the architecture and processes that these folks established.  I was also fortunate to have teachers in trade school who thought it was of great importance to at least expose us some of the history of the art and technology we were learning to handle.   While much of the education in the glory of my ‘forbearers’ was somewhat erudite, I did get  hands on training on split line RCA boards, refurbishing a Mellotron and the odd art of multiple projector slide shows. Much in the fashion of car restorers or mechanical archivist I was granted the oral history and hands on practical from these guys.    







One of the many quirky personalities and remarkable innovators I discovered by association (and have loved to read about and explore his work to this day) is Raymond Scott.  In a similar vein to the just as unique and visionary Joe Meek, Scott had a special relationship with music that helped change it forever. In fact he should be as well known as Les Paul for his contributions to music and the AV industry in general.  Jazz musician, inventor of the sequencer and the person nearly every sound a vending machine, ATM or ring tone makes can trace its roots back to, in one way or another.


 






 


Like Alan Turing, Raymond Scott has posthumously developed a cult following for his remarkable insight and contributions. Turning may have saved the world and Scott may just have saved music. There are a number sites –which I list below – dedicated to the work and times of Raymond Scott, if you want a one example proof of his influence- chew on this.  Mr. Scott had in his employ for some time a young electronics maven who he set to work helping finish and build circuits for his ' Electronium; that young man was none other than Bob Moog.







 Even ‘dead’ technology has something to teach and knowing where things came from provides fodder for innovation and creative thinking.  Are you teaching this information to your young wire guys and installers?  Do you, or they, know about UNIVAC? Or why we call it a ‘ Bug’ when code is erratic?


 I highly suggest finding the video collection of the ‘Connections’ series hosted by James Burke whose Scientific American essays the shows are based on.  They may not answer the previous questions but it will start you on a path to thinking about ‘just how did we wind up doing it this way’ or ‘how anyone ever thought to do that!’


The past is not dead, we live it every day, we just have to where to look.












I have linked key words in the post  with links, but i have been often asked to send the group via email. 



Raymond Scott website: http://www.raymondscott.com/


Raymond Scott synopsis:  http://en.wikipedia.org/wiki/Raymond_Scott


Robert Moog overview: http://en.wikipedia.org/wiki/Robert_Moog


Joe Meek: http://www.google.com/#hl=en&source=hp&q=joe+meek&aq=f&aqi=g10&aql=&oq=&fp=4bd1efb53b2bf9c5


Alan Turing http://en.wikipedia.org/wiki/Alan_Turing


UNIVAC http://ei.cs.vt.edu/~history/UNIVAC.Weston.html


The Electronium and Clavivox    http://images.google.com/images?um=1&hl=en&tbs=isch%3A1&sa=1&q=Electronium&aq=f&aqi=&aql=&oq=&start=0&social=false


James Burke- Connections: http://video.google.com/videosearch?hl=en&q=james+burke+connections&um=1&ie=UTF-8&ei=DBSUS--IBZC1tgeItvDUCg&sa=X&oi=video_result_group&ct=title&resnum=4&ved=0CC8QqwQwAw#


Mellotron  http://www.youtube.com/watch?v=eR6D1ZH2CMk









Thursday, February 18, 2010

Being and Nothingness or why Bing is my new search tool -(a phenomenological thought thread)

Google has been a revelation, of sorts, to me and I fear I may have reached the point where I could no longer live without it. It’s not just that all of my productivity, creativity and social interactions can and do revolve around intellectual examinations and conversations the cloud allows me explore. In short my consciousness is on Google, it knows me, offers me suggestions and provides me another sense with which to behold the nothingness in its beauty and absoluteness.


Google is a funny thing, once it knows it cannot un-know. Being for-itself prohibits a true denial of the world itself –( I may never know what it is to be all knowing in-itself, but I cannot not examine, identify and categorize). 


All this knowing makes me uneasy- so much freedom can induce nausea. But this only serves to let me know I am alive.


All knowing.


Bing is –for the moment- just a search engine. It does not seek to provide me with the grand unified being through thematical negation. Bing does not know about me in the same all consuming way, or least it does not confront me with the same polemic.  


I would shutter to concur but what if Max Cohen was right?


 


 







 



 




 



Thursday, January 7, 2010

Pico Projectors and the Perfection of Flesh Tones- A Cautionary tale

You have may well notedthe ads for the cell phones with Pico projectors on television the last couple of weeks.  Now that this these units are in the wild and inescapable, the era of forced viewing has finally arrived.  Even the product ad seems to promote this with a scene where a third co-worker enters a lunch room proclaiming the that everyone must see the latest trailer from Avatar.  Oh, joy now not only must I endure the over-hyped chatter about this movie, I can no longer escape random showings of this or any other video.  To be clear- I think this is a very cool technology but the social ripple of unintended consequences great. 


I already pontificated on this in an earlier post - I reprint it here.


When properly lit and shot on film, this makes for the best test of flesh tones one can find." -TW




It is indeed interesting what one finds whilst trolling manufactures websites – Yeah, I know I need to get out more.


3M has announced a functioning video projector designed to fit into a mobile device (Cell Phone, Blackberry, and Digital Camera).  The 3M site http://www.3m.com/mpro/index.html states the unit is


"Roughly the size of a wireless earpiece, and a half inch thick..."


can project an image of


"VGA 640x480 Resolution"


And - most interestingly or curiously


"Projects sizes 5' to 50' or more"


The 3M description markets this as a social tool for sharing photos and videos; I see the break mobile content providers have been looking for in particular the WiMax folks.  All those arguments against people watching content on their phones because the screen is too small just may have gone away. 


Taking a futurist POV, imagine a time when there are no 103" plasmas just your mobile content device which projects an HD image of up to 60" or 70".  Aside from a central sever for storing your terabytes of content you take it all with you. (that which you could not store on the mobile device could be accessed via a slingbox like connection) oh, and it can make phone calls as well.


While the techie in me gets all worked up about the above being possible and I am intent on finding system diagrams to figure out how this works, the luddite in me bemoans the loss of regionalization. With the advent of cable, Satellite TV and the Slingbox type devices we no longer allow ourselves a chance to see local programming. Often locals do not see local programming - aside from the 6:00 news. Accents are becoming homogenized, Story lines all the same. Instead we arrive at the hotel, set up our PC to connect to the Slingbox and watch all our shows including our local news-(not the local news of the place we are staying). I do have hope that IPTV and sites like YouTube will always provide an outlet for truly regional culture; does anyone know exactly what happened to the Manhattan accent you last saw in 40's movies?


There are a number of troublesome possibilities as well:


·       Those lovely folks who seem to think the rest of us are utterly fascinated with their lives and use their Nextel or speaker phone on trains have a new way to invade personal space.


·       The potential for showing images you would really not rather- or I'd rather not see.


The lure of showing something elicits in a public manner -even if just as a laugh- can be quite strong.


In the days of the first single gun LCD projectors a number of techs-(including me) and a projectionist stayed late putting a new unit through its paces. The company I worked for rented several floors which had windows on two side streets and the main ave. Initially we pointed the projector out one of the open windows facing a block long side street wall to see just how big an image the projector could actually produce.  The image was big and damn bright! As it grew later on an early summers day we became even more impressed as the video engineer tweaked a few things and was able to produce a super bright image of about 20' (remember the throw was just a Manhattan side street width).  The projectionist wondered aloud if this 'data' projector could moonlight as IMAG support - (IMAG commonly is the projected talking head of the on stage speaker).  Someone mentioned that it must be fairly inefficient in handling flesh tones. 


Here is where the title of this entry comes from. Our ever resourceful projectionist placed a tape in the SVO deck and hit play. Up before us leaped to life a 20' super bright image of a couple in flagrante delicto. Yeah, you read that right.  There in full color was a 20' porn playing. We laughed, snickered, and thanked our stars that this was an industrial area after 8 pm on a Tuesday night. Then we heard a Yelp, expletives and our desk phones started to ring.  It appears two senior management types had stayed late as well and were just at that moment crossing the side street when our impromptu show had started.  Suffice it to say, the next few days were a bit tense in the office. Those who know the story, who’s initial are credited to the quote and just why we had ready access to the content will completely understand why I still find it hilarious.


We were some high tech geeks with access to very pricey toys and took a moment to misuse it. It was a one off event unlikely to happen again for some time.  Now anyone with a penchant to cause a ruckus could do nearly the same but all from his \ her mobile device.


Considering the two leading specs quoted above from the 3M site. 


640x480 is just tolerable looking at a 5' image, any bigger and you lose all definition.  I see no way the "..up to and above 50' image" is plausible.



Original Post Link here: http://bit.ly/8O3Zov



Thursday, June 25, 2009

er, did I leave the sink running ? perhaps I should go back and check

Running sinl


 I have been busy, busy with my Crestron Social Media duties with 3 tradeshows falling back to back to back.



Fear not I have several posts near completion and will update this week



you can always find me in the persona of http://twitter.com/CrestronHQ and http://twitter.com/tuckertues



Sunday, May 24, 2009

Station X (or why Math is equal to guns in war)- Memorial Day

 Turing machined
 
Why did the allies win? For a good deal of WWII the allies were on their heels, fortress Europe appeared to be lost. A good many fine men and women gave the ultimate sacrifice, meeting their end by a bullet. The bravery and ultimate good of these soldiers in defeating the German and Japanese threat is well know and unquestioned. What many people do not realize is just how important the code breakers of Bletchley Park were to the success of the allied effort.


Bletchley Park and its main mathematician-Alan Turning- figured out methods to decode the NaziEnigma machine and later other high level Nazi and Japanese codes. Early on the codes were decoded by the brute force method of hundreds of ‘decoders’ working of every possible variation. While this worked it was hardly ‘real time’ and the information could be irrelevant by the time it was fully decoded. The site received thousands of coded messages a day. Imagine trying to find what was important and what was old news! 


Alan Turning designed a machine to decode the messages in ¼ the time. Bombe was something of a difference engine- only its purpose was the salvation of the world.


President Obama has asked (we Americans anyway) to thank a soldier, I have done so at today’s Hastings on the Hudson memorial day parade, I also plan on a moment of silence  for the code breakers of Bletchley Park- for without them it would be uber alles, uber alles.



Saturday, May 16, 2009

Be in my broadcast when this is over

Paul Sidney died a few weeks ago, in all likelihood you have never heard of him but if you are in anyway involved in community building, you need know about him.  Paul Sidney ran and was the voice of WLNG radio out of Sag Harbor Long Island.  WLNG is local as local radio can get. The station is a throwback to late 50’s style of operation where announcers add echo and heavy bottom EQ to their voices and the News is local, local and local.  Growing up in the Hamptons of Long Island it was it was impossible to not be influenced by the sound and programming of WLNG as it was everywhere and literally at every event.


You can read Paul's obituary here, it tells the tale of his coming over to WLNG, becoming its driving force and cult of personality. What it will not tell you is just how deeply he ingratiated himself and the radio station into the very fabric of the lives of those who listened to ‘LNG and even those who did not.  The comments section of the article will do that well enough.


In addition to music and local news WLNG features live call in shows such as "Swap n' Shop" -where people call in to trade a 1940’s fly wheel for a couch or someone looking to buy or swap for a full set of tools and toolbox.  While at times it can be nap inducing it also is a window into people’s lives, needs and character. Paul would not just help the caller to describe what they wanted to trade or relive themselves of but also would check on their status – he engaged them in conversation about the news of their neighborhood.  It was not radio it was community.


The radio station was among the first to have merchants record their own commercials, clearly not professional actors but direct and personal. The ads could be grating and awkward but then so were all the rest and yes, it was the person who owned the store. The ads always left  you feeling – ‘that’s Jim’s place, I should stop by and see how things are doing.


Having the mission to be local as local radio gets WLNG and Paul would travel to every possible event occurring on the east end of Long Island, eventually using two fully equipped remote trucks .  The remotes were Mr. Sidney’s glory and crowning achievement.  These over-sized airstream RV’s were literally at every store opening, town parade, fund raiser and carnival. The draw an ‘LNG remote could –(and still does I am told)- muster was phenomenal. It was not an event of note if the remote trucks were missing. Paul knew how to work a crowd, how to detail just enough to give listeners a good picture- keep them listening AND to attend the event.


In my mid to late teens I developed an overly impressive angst about my surroundings and began a lifelong quest to find new, interesting and thought provoking music and media. This local radio station was the epitome of all I wanted to get away from. In my rush to find something else, the remarkableness of Paul Sidney and WLNG was ignored. As a young person, grappling with defining a personal identity, you grew to loathe when parents put WLNG on, pronouncing it one of the seven signs of local lameness. Yet hearing the station was always comfortable, like going to the carnival with your younger brother- you would rather go alone, check out the girls and hang with friends. But he’s your brother and its okay. 


I left for NYC and its heady world of aggregating cultures and slick production values leaving the ‘farm report’ station behind me.  Imagine my shock when I attended an NAB (National Association of Broadcasters) tradeshow and one of the first things I see upon stepping on to the exhibit floor is Paul surrounded by a flock of people.  I nearly retained my youthful arrogance and rushed by thinking ‘what’s this goat doing here, intruding on my sanctuary?  Instead I stopped to see just what everyone was doing around Paul Sidney.  The questions were eager often hyperactive, asking just how such a small station could grab such large shares in the face of the conglomerates and city backed stations. Paul Sidney’s answers stuck me and started to chip away at my preconceived notions.


My thoughts wandered back to WLNG and Mr. Sidney as I started to get involved in hosting bulletin boards on BBS, AOL and later a few web communities in the early to mid 90s.  It always struck me that group chat rooms were, in effect, community halls- only broadcast. Many compared and still compare them to the days of CB radio popularity, complete with the snide disregard for the value of conversations it generated. The online community often overtly revels in the fact that they are community, ideas are shared and bonds forged. More often than not individuals or groups talk just to hear themselves but in the end fundamental value is created– community radio.  Social media now is, in part, the largest community radio project only the community is not a location but global and based on common interest. 


Next time you tweet an event, start a rolling discussion on FriendFreed or post ‘real-time’ photos to facebook, remember that you are utilizing a form once dominated by people who used radio to build and keep communities talking. We owe our current mass media social networking to men like Paul Sidney, they may not have fully understood the import and impact , they provided the framework for it to be successful.


  


Paul Sidney’s Über local radio is the model social media should pay attention to, all media is local, regardless of the physical location of the community. Those of us who take forward positions in the creation and application of social media groups need to remember the passion, investment and yes, love of the community Mr. Sidney exhibited.  I for one will miss his voice and although I rarely venture back to the Hamptons he and WLNG will always be the sound of The sound in my head.


 


 Edit: *added August 9, 2013 - Inspired by a Post on the 50th anniversary of WLNG in the Sag Harbor Experess 


 


As a Co-Founder and producer for the Pro Audio Visual community podcasting network AVNation.tv I find that I take Mr. Sidney's leadership and example to heart with every show and every episode we produce.  Love the medium, love the community - revel in every nuance.  


 


 



Tuesday, May 12, 2009

Confessions of a lightfair virgin


Lightfair was 09 was held at the Jacob Javits Center and with Crestron showing I had and opportunity to attend and get a good overview of the lighting industry.



For the uninitiated Lightfair is a trade show where the main manufactures and suppliers of everything from ballasts to building management systems show off their fixtures, tools and systems.  


4246_1164717718919_1257151575_30460327_536911_s


While I consider myself a veteran of over 1000 tradeshows as both presenter and (for the majority) as a behind the scenes technician, Lightfair was illuminating to me. (Sorry, I just could not resist). As I have just begun my tenure in the new position of marketing writer, specifically in support of the lighting division, the show was a good place to acquire marketing material and an education on products and technologies similar to ours.  I also reveled in the general easy tenor of the show; it was a simple task to get around, lacking the press of bodies moving you in directions unintended.  Tradeshows like Infocomm, where the attendees are literally banging at the doors to get in each morning, the pathways can be like a roiling stream of class 4 rapids.  This “benefit” was certainly a worry for the Lightfair sponsors who sent out missives to proclaim 20K registered attendees and the exhibitors could be overheard worrying that they overstaffed their booths. Day 2 on the other hand was much more to the hopes of the sponsors.



Both days I attended it was decent enough out to walk from Grand Central to the Javits, as I used to work on 45th and 11th for a number of years the walk was a bit of nostalgia.  Since I started working in New Jersey and therefore becoming a driving commuter I rarely get to the city and when I do it is to bring the kids to a museum.  I evidently no longer have the native Manhattanite walking pace of my days living on the east side –( I skated everywhere anyway back then).  The slower pace was, at first, disconcerting but I found it gave me the opportunity to walk with my head facing forward not down –(in the bull mode).  In addition to noticing the changes my old work neighborhoods had undergone my NYC-sense started to come back and I could start to identify who was Javits bound. It did not hurt that many had on what I call the tradeshow targets on, those access badges that so many people seem to want to wear outside an event.  In many of the sections of the city directly adjacent to the convention center these badges say one thing- ‘target’.  



When the Democratic National Convention came to town in the 90’s I spotted a 20 something woman at the intersection of 42 and 7th looking very confused and harried.  In addition to the large parcel she was struggling to keep hold of and the 4 inch heels she had a large convention badge with her name, home town and the word DELEGATE.  Around the time of the DNC Times Square was in transition with the seedy side still being pushed out and it was very irritated by the Disneyfication  of the area.  Angry wolves were still trolling the late dusk afternoons despite the heavy police presence. Typical New Yorker I rushed past her making it a full half block (cross town) before my brain registered what I saw and how bad it could go.  I doubled back to her let her know that the cabs with three lights lit on the top were off duty and being 3:30 it was shift transfer time-(90% of the cabs were heading back to the garage).  I hailed an available cab and got her inside, offered her my business card, and informed her that the heels and event badge was not a good combo.  Julie – her name- looked at me wide eyed as I leaned into the driver’s window addressing him by the name on the license-(back then they were mounted in the front passenger side) telling him how to take Julie to her destination.  I corresponded with Julie for a few months after and she shared some stories of her associates being bothered during the event but once they removed the badges whilst walking  the harassment was reduced.



I relate this tale to mark



1. Just how much the city has changed, most people walk around in a manner that would have made me cringe, scream and consider taking up a life of crime.



2. The New New York has reduced the potential for petty crimes and thus more people walk around broadcasting their participation and destination.  Because of this it was quite evident that Wednesday had far more people attending Lightfair.  My zigzag path allowed me to see that the mass of humanity was not just random but was migrating toward a common destination.   By 11 am the exhibitors had the mixed expression of happy relief and harried eyes at the preoccupation of talking to multiple people at once.



4246_1164716238882_1257151575_30460325_7150371_s It is also of note just how many of the attendees and exhibitors were on twitter giving updates on attendance, products, release announcements and general observations.  Everyone noted the enormous number of LED products being shown and the declarations that the revolution had arrived.  The Department of Energy, one of the main proponents pushing LED adaptation, had a booth in the back where they held hourly seminars on everything from ‘LED basics for lighting specifiers’ –(a design guide is anticipated for release in September)- to the DoE testing and certification process.  The LED’s were shown as task lights, street lights, general luminaries, in RGB array , as light walls  and with white or yellow phosphor coating.  There was also what appears to be a ‘PR war’ brewing between the manufacture of traditional incandescent bulbs and the LED people, with tit for tat press releases comparing incandescents to garbage or LEDs as off color and immature technologies.


A good number of the discussions about LED’s centered on CRI, dimming and availability.   The CRI, specifically the level of white had many set into two camps, the first stating that the obsession with the white level was much ado about too little and the second group claiming this was task one –(followed closely by the need for dimming).



Phillips made its dominant presence well felt by not having just a booth but something more akin to a city consisting of 9 or 10 interconnected booths. The Phillips people all appeared to be dressed very corporate, the Men in dark grey suits with Phillips stripped blue ties, the women in late 80’s suits with  matching blue striped scarves-(both reminded me of stewardesses, er..flight attendants).  I call this out as it was in stark contrast to the rest (besides Lutron) of the exhibitors and as there was an accessories show on the floor below, I at first took them to be part of the latter show when I saw them in the lobby. 



The show had a sizable section in the back which appeared to be a collective of Chinese manufacturers of everything lighting. The booth was constructed, intentionally – I think, as if part of an open air or Hong Kong alley way market place.  A quick click pipe frame covered by an orange tarp  created a large rectangular booth which was divided up into smaller square ‘booth-ettes’  where exhibitors had product hung from the frame and on white peg boards in the back.  The offerings were your standard low cost products but a few were showing LED lights as well.


                                


4246_1164780640492_1257151575_30460425_880927_s Lutron had one of the more stylish booths, built in a similar look and style to a Frank Lloyd Wright home; I think it may have been modeled after the one which resides in the MET. True to its inspiration the booth also had low ceilings, lowest of the show, and it reminded me of a story told in a PBS documentary on FLW.  Typical of his work Frank Lloyd Wright made the scale of his homes and furniture to his height (about 5’ 8”) which topped the ceilings off at about 6’ 4”.  Mr. Wright had in his employ, so the story goes, an gentleman who was 6’ plus and whenever he would stand up FLW would shout – ‘Sit down Wes, your ruining the scale’.  I did indeed witness several taller attendees start in then back out due to the height limitation.  I give them an A for concept but a C- on providing accessibility to everyone.



4246_1164776040377_1257151575_30460418_6256904_s On the Odd side of things there was the Down and Dirty, the booth was an 8’ high chain link fence with graffiti covered lockers which had lighting fixtures in them. I cannot say I understood what this was for or if it was associated with any particular company, but they did serve free beer and hotdogs on the second day!  The number of booths offering libation did peak my interest as several offered microbrews on tap and others a selection of California wines.  Near the end of day it started to look more like a social mixer than tradeshow, I half expected someone to start rolling out the kegs and hand out red plastic cups at the door.



4246_1164775040352_1257151575_30460414_3873349_s  I also noticed a far greater number of women attendees than at most other technically centric tradeshows I have attended.  Is this because there are a good deal more women in the lighting field?  I could not find any data to support this but it did appear so over the two days I attended.



 


4246_1164715998876_1257151575_30460324_4986514_s All in all the show was a great experience, not nearly as nutty as others but busy just the same. The booths were creative and had great aesthetic about them; it was almost disappointing to walk out into the sun and workaday lighting after being surrounded by all the color and ambient light. Next year I will have a much better attack plan to seek out the booths and players first, and then look for the niche and oddities. 


What’s the next show I am attending? 


INFOCOMM Orlando baby!  If you are planning to attend let me know, we can share ideas and make time to meet up.





 







 



Monday, March 2, 2009

Neo Industrial Technorotic Aesthetic Death Trip.

Design, the facet of presentation which attracts the eye and stirs thelittle grey cells into action. I have long understood that I have an aesthetic which is somewhat off center with most of those around me. Yet, If I were to invite you to my second life abode the chill would soon settle into a yet unrecognized comfort; like sinking into the plush furniture of proper Victorian drawing room.


I bring this subject up from a find whilst I scrolled through my 300 news feeds in my Google reader, (love google reader), and came across a metal skull lamp in an article in Gizmodo. The writer of the article calls it “..the most terrifying table lamp…”.I call it beautiful. I want it, crave it.
If I could have my druthers I would have a ‘den’ which looked much like the ‘Closer’ video by NIN, this is what I would do if means were no object.
 
Growing up in Sag Harbor I was fascinated by the Victorian aesthetic and had ample opportunity to explore show homes which reproduced this, but it was too soft, too tranquil. Where, I asked were the drawing rooms of great explorers, whalers, and botanists?-(think about it, in order for someone to see and study a rare plant he would have to travel in harsh accommodations and face death by nature every moment. No rescue by GPS here. Darwin was a tough mother!). Everything had been sanitized by the local historical revisionists.


I left the semi isolated Sag Harbor to shack up with an artsy hipster in downtown NYC and found a world I only previously dreamed I could be part of. The girl and I soon parted but the stamp of what I was introduced to struck home, THIS is where I was supposed to be, this is what I had been searching for.


Concurrently I had just begun to understand and appreciate the Punk and hardcore movement in music when I met Pam and Marc. The Koch’s were uber NYC downtown rock hipsters via  Buffalo and close friends with one of the great unknown bands of the early 80s, The Splat Cats. Marc collected the ephemera of kitsch gothic ghoulishness. Their Ludlow street apartment was filled to the brim with records, comic books, videos, pop culture models, books of suspicious origins and early 19th century coffins-the ones with viewing windows on the cover. I still have several of the birthday cards given to me which consisted of heavily gilded photos of a specific coffin or groups of coffins. One birthday I was given the book Wisconsin Death Trip, a book I read nearly as often as I do Cyrano de Bergerac or  Foucault's Pendulum. The Koch’s home was not so much an education as a revelation, that central aesthetic which I had been searching now surrounded me each time I entered their home. I was introduced to the art of Joe Coleman, Joel Peter Witkin and innumerable bands of nearly every genre. It was a cross between Maxilla and Mandible and the Rembrant room at the Met.


Around the same time I chanced to meet Robin Ludwig, an artisan for whom the word itself is his being.  I met Robin through his daughter when I was in an Aveda show, I had very famous scissor hands cut my, then looong, hair and got a few products and bucks to boot.  Robin played gritty guitar, growled when he sang and created works of art out of metal with skilled delicate hands. Watching him work was nearly as intoxicating as the mead wine he brewed in the loft apartment they occupied smack dab in the heart of Chinatown.


This combination of old world craftsmanship and a full involvement of the modern drew me into a local high end audio store to drool over an early 80's retro tube amp placed in the front window, and to be promptly be escorted out by staff – “come back when you have money to spend kid!”.   The amp itself was evidently very good but the cost was for the art of the product, it called out and pulled you in with how it played with the light, its warmth and visual shimmer.


While I worked in recording studio and learned the in n’ outs of the main gear I was constantly drawn to theFocusrites, Joe Meek gear and theUREI LA-2A’s . The fascination was not just as moth to flame but a concerted study of the device and the names behind it.  The boxes spoke to me, called me in to learn not just about compression or EQ but about the early days of audio and the men who made or inspired these gleaming boxes; I also found out about their inspiration and obsessions.


So, you’ll excuse me as I mount this “…most terrifying…” lamp to a brushed aluminum stand shaped like a gothic fence rail and revel in its lineage of history, artisanal heritage and learning it encapsulates for me. 





Tuesday, February 24, 2009

Same thing we do every night Pinky, Plot to TAKE OVER THE WORLD!



Every couple of years someone comes up with a daring plan to have one system take over and become the ubiquitous backbone of a market or function.   MIDI laid claim to something like this for several years in music and interface automation. Universal Plug and Play (UPnP) has continued to fight for complete dominance of the device configuration arena, despite several Bill Gates Blue Screen failuresat live events.  IEEE recently announced the formation of working committees to formulate content over CAT 5 standard.


HDMI has announced – (admittedly, this was announced in January but it is still relevant and moving forward) plans to present HDMI not just for content delivery of video and audio but to act as the data backbone as well.  It is an interesting attempt to grow the usefulness of HDMI and insure its necessity in any wired home; and, of course, fulfill their plans to take over the world!


 The pursuit of one system that does-it-all over a single cable or methodology can be almost spiritual in function, acting as if in recursion, much like the mythical  Ouroboros, forming a constant state of eternal return.  In such cases the apparent limitation and exclusivity are, in actuality, inspiration to development and open new pathways of innovation.


There is also a danger in allowing a single technology to be the medium for all content. Kevin Kelly recently wrote a fascinating and captivating commentary on the Ted Kaczynski\ Unabomber treatise.  In life as well as technology there always exists the danger of over reaching the purpose and function of a topology or medium, winding up like Bellerophon , wandering alone.


At its barest form the concern stems from the debate of centralized vs. distributed control and memory.  Is it best to store values in the processor – (centralized) or to store them in individual units being controlled?   The arguments on both sides carry a great deal of validity and detriment in application.
 
In the Case of HDMI, One has to question if it has the data rate room for 1080p Deep Color (which requires a data rate of  6.7Gbps) and full Ethernet data?  The better question is just what would have to be given up to accommodate the addition of Ethernet backbone topology?  Would CEC have to go away? This would not be such a bad thing as nearly no one actually uses it those who do appear to have only conceived of this as a single source to display concept.  I am unclear, and the press releases does not attempt to answer, just what would have to give, (if anything), In order for this to be accomplished.


 Given HDMi’s severe limitations on cable distance one would have to presume that some manner of CAT 5 solution or converter will be necessary, especially if it is intended for retrofits.  The proposition leaves many who are building HDMI distribution products without an eye towards this latent but present capability suddenly tagged as legacy. For those who designed with an understanding of just what HDMI is, and will be, capable of  the world just may be their oyster.




Update: 2-25-09


Ah, the things twitter can show you.  This morning I opened up my twitter account ,my http://twitter.com/TuckerTues and not the http://twitter.com/CresrtronHQ , and find an endgadget article on the DiiVa connector which claims   


"Forward channel video speeds of 13.6 Gbps provide plenty of room for 1080p and higher resolutions with Deep Color, plus the two-way connection at up to 2.25Gbps that can simultaneously handle multichannel audio, control or other data"


http://tinyurl.com/akh6ep



Tuesday, February 17, 2009

TouchScreen Esperanto

This was originally posted on my Tumblr site: see the video at http://tuckertuesday.tumblr.com/




In my time supporting automation systems I often have had the compliant come back that the interfaces are too daunting, confusing. Such complaints are so common that ICIA published a paper “Dashboard for Control’ to act as a template for interface design. The documents are more ‘like guidelines then actual rules..” as Barbossa would say. My current interface uses the System Builder template which as Dashboard concepts built right in.
 
 Still I get people who are either taken back by a touch screen just at the concept or cannot make sense of ‘all the buttons’.  To prove that it can be intuitive, I showed my 3 yr old twice how to turn the system on and find ‘his’ page. All the icons are graphical. As you can see my 3 yr old can easily navigate the touchpanel.  He is so comfortable with the interface that he has begun to teach my 1 year old.


That is fine enough, you may say, but it is like the old joke: the package said ‘so easy a 5 year old can assemble it’, so would someone get me a 5 year old to put this together?! Granted children absorb new concepts, just look at how all the kids who watch ‘ni hao kai lan’ can recite the colors in Chinese. But, it does not have to be that difficult. Simple straight forward concepts make the transition from one form factor to another more about getting a task done than the bells and whistles. 


About 6 months ago my wife’s mother watched the kids for us, when asked by my son if he could watch TV grandma took one look and said she did not know how. “oh, I so you” was his response and he promptly turned on the AV system and choose Disney. Once he taught the grandma, the device was not so fearful.  Now, partly based on her comfort level with our home system grandma has downloaded her first songs from the itunes store and connected her Nano to her car’s in board connector. ‘It’s so cool and easy’ she recently told me.  Custom design is a wonderful thing but if it is complicated no one but the person who created will use it.  I would love to spend hour’s custom designing a touch screen theme but if I uploaded it to the panel I would have my wife calling me all day asking where to find this or that function. KISS rule applies to all our designs.





Saturday, December 20, 2008

BrundleFly?

One has to wonder if the quest for wireless HD distribution is more closely related to the Philosophers Stone then Grand Unified Theory at this point.   A friend of mine compared this to eating a cake by saying 'you never know if its going to taste good until you eat it, and then its too late.  A lesson in confections from the kitchen of Mrs. Schrodinger indeed.


Wireless HD distribution is something I would install in the blink of an eye, were I confident it would\could work reliably in both speed and location. My home is not new, not nearly new, not was new to my father  in his youth; in fact my home is just barely considered new by the strict definition of antique. While spacious and accommodating my 1901 colonial home still has walls of 1x3's and lathe under plaster. I spent a good portion of my formative childhood tearing down just such walls in the numerous homes we lived in to rebuild and update. I know just how difficult it is to retrofit these homes with modern wiring without planning a complete renovation. It is not a task I look forward to with any pleasure. 


 I also have years of experience working with wireless systems of all sorts and know full well the fragility of the connective infrastructure.  RF transmission of media can be summed up simply  - Wireless transfer of data is the most convenient method yet developed, it is also the most inconsistent and unreliable form ever put into operation. (I think this statement has a very Mark Twain lilt to it and given his relationshipp with Tesla quite possibly attributable to him in an alternate Universe).


The EE Times has published, as part of a year end 'Hot Technologies to Watch for in 2009, an eye opening article on the the relative stasis HD home distribution over RF has exhibited. In the article 'Not getting the big pictures(s) yet', the EE Times editors describe 802.11n as 'troubled', UWB as a 'failure' and the 60GHz as '...too immature...'.  


So, why pursue an RF HD distribution model?  HDMI has some notorious short falls when it comes to whole house distribution which include but are not limited to cable length and physical connectors. It is a market that has huge potential to make redundant  an entire category of cable and distribution.  Trouble is what we have currently and for the near term results in an end video more BrundleFly then Seth Brundle. 


I suppose I should take a deep breath, thank my mother for having the forethought to prepare me for this moment and  with wrecking bar in hand begin the process of renovating to run wire.



Saturday, December 13, 2008

Then where would I keep my pencil?

While I only rarely write about the newest or hot item, I came across the Truphone product. The Truphone allows a user to turn a iTouch into a wifi ready phone.  It struck me that this would be a steampunk application from the perspective of my three year old (or at least when he is old enough to understand such things).


So, an iPhone that is not an iPhone can now be an iPhone(ish). VerySteampunk, in a post post modern way -(maybe neomoderist?).


If you are unfamiliar with the culture of steampunk think of a world where Victorian England driven by the revolutionary difference engine creates a world which has many of the same modern convienecines  of the 21st  century just not based on the transistor.  A good start is " The Difference Engine"  byBruce Sterling and William Gibson. Much in the same fashion as the Maker Movement  hardcore fans of steampunk retro fit modern equipment to reflect their pre-modernist aesthetic.  On first look it can be a bit daunting and too much of a contrast for some viewers; it bears to reason  that it should not work this re-purposing of 19th century technology and  modern computers. Once the initial shock wears off, one finds a warmth to these hardware mash-ups which are far more enticing than the gleaming cold Borg boxes such as the Mac Air.


In a world where no one knows what tomorrow will bring economically or technologically and despite the was to rich for my blood now cheap as sand in Dubai cost of oil we do have to consider a life after the End of Oil. Is the SP movement a harbinger of a new technological age, where products contain a minimal to no petrol base products - Bakelite enclosures anyone


Another major influence on the SP movement is the original Tech punk himself Nikola Tesla. If you only know the name Tesla from an 80's hair band then you should really listen to the Studio 360 Broadcast concerning him (Thanks to John Huntington's link on his Control Geek blog). Much of this modern world started in the brain of dear ole' Tes, Yahoo Serious's Young Einstein notwithstanding .  Two of  His last ideas to be tested were the 'death ray' and wireless power, one inspired the Regan era 'Star Wars' development and one has actually been shown to work!


So, are you ready to be a 'Clacker'?


[Gordon produces a notebook and pencil on wrist springs]
Capt. James West: You know, you could put a gun on that.
Artemus Gordon: Then where would I keep my pencil?
quote is from -[Wild Wild West]



Thursday, December 4, 2008

Throw it out, keep it in -- I don't know why (Nirvana)

I wanted to title this piece 'Jello Biaframust be Pissed!' but could not find the supporting documentation. Jello was a vocal opponent of the practice   'Pay to Play' which a number of LA clubs began to use the late 80's. In short aband would have to insure a minimum number of people attending a show by purchasing a number of tickets which they would have to resell. Tough luck to the band that could not meet the minimums and don't even think you'll get any part of the bar take -(minus what the band drank).  It is similar to the bar gig scene in ' The Blues Brothers':


Jake: Uh, Bob, about the money for tonight.
Bob: Oh, yeah, $200, and you boys drank $300 worth of beer


As you may have heard in the ubiquitous news reports, the FCC has posited the idea of a nation wide network for free Internet access. The effort is not altruistic but a carrot to spur on the growth and implementation of the 'White Spaces' frequency spectrum -(the 300 to 400 MHz range). Several reports have mentioned that the free portion would be 'adult content '  prohibited which those over 18 can opt in to, for a price.  We have seen several attempts at Muni-Fi systems but only the small township and hamlet systems appear to have any lasting life. Philadelphia struggled to build and maintain their free access system only to finally shut it down then re-start, sort of.


A truly free access nationwide Internet is a grand thing. Just the effect of bridging  the 'digital divide'  would be  significant in  and of itself. My question is just what price this freedom. Unlike the NY Public Library show, this price of freedom may just inhibit your access to it.  If anyone thinks that the entire Net Neutrality debate will not be finally fought out in this venue are to be sadly shocked. 


Who will determine what is adult content?


How will it avoid the blocking of terms like Breast Cancer rather than just Breast? (recall the gaffs the content protection software many public libraries faced?)


Who will determine which sites and which content will require a premium subscription?


Just how long before demand 'forces' providers to lobby the FCC to reduce the amount of free content to just a bare minimum?  There is only so much bandwidth you know.


Pay to Play ?





Monday, December 1, 2008

I'd gone on Holiday by Mistake!

It would seem I have been on an unintentional sabbatical for the last 4 months or so. I would like to thank all of you who emailed, IM'd. sent LinkedIn  mail and contacted me via Facebook to ask where T6 had gone.  I appreciate the interest, concern and friendship you have shown me.


So, what happened? 


 In very simple terms I stopped sleeping. 


In the past I would have thought this was a dream come true, 'finally time to finish all those projects ! Yeah, not so much.  Around late June I began to wake every hour or hour and half and then up for the day with a jolt of my legs at 5am. No matter what time I would go to bed ,(and trust me I was often in bed by 8pm, just after my kids), within two hours the pattern would begin. shades of Groundhog day.  Coming from a background in event staging I was used to, hell I was proud of my ability to shrug off sleep with a glib " sleep give you cancer man, nobody wants cancer".   I have a personal best of 60 hours with no sleep on a Comdex show in Vegas. The Machismo associated with staging techs and the utter disregard for healthy sleeping patterns was just as important as your ability to perform with out missing a cue. 


After leaving the event staging life and getting a office job I still only slept on average 4 hours a night.  reading news aggregate, commenting on blogs, catching up with work issues and finally writing my own blog would fill the hours after my kids then wife would head to bed.  I would insist on getting up at 2 or 3am when one of the kids would get up.


Then I stopped sleeping.


The first month I was only mildly annoyed by the now  2 hours of real sleep.


The Second month I started to become a bit more testy to my co-workers but held it together, for the most part. 


The Third month I just ran on instinct and drive to get my day done and be a presence in my family's  life.


The fourth month was just running on empty and finally admitting that something was up.


In the long run my answer was not the Tylenol PM's nor any self medicating, it was a morning ritual of Yoga. yeah, yoga.


So, as T6 creaks back to life and I wipe the cobwebs away from the machinery and the little grey cells I ask for your suggestions and contributions.  Are you interested in becoming a guest writer for T6? If so i will send you a T6 Style sheet and method of submitting your articles. I intend to start off with two guests a week and see how it works.


I think withnail would agree - going on holiday by mistake is never a good idea. http://www.youtube.com/watch?v=L95MAROlcqg&feature=related



Monday, June 30, 2008

Goneril, Regan and Cordelia

EE times posted video and a short article on a symposium consisting of manufactures of three main technologies vying to be the wireless digital video delivery system.  While the event appeared cordial with pronouncements of coexistence and equitable market distribution, it is quite clear all are looking for blood in the water.  It is still possible at this juncture that all three technologies will find a place and coexist with the others but it will not, cannot be in the same market.


The full article and video clips are at http://www.eetimes.com/rss/showArticle.jhtml?articleID=208801236&cid=RSSfeed_eetimes_newsRSS


I suppose one's outlook all depends on whether you prefer the original play or the apologist performances of the 18th and 19th century.