Showing posts with label Control. Show all posts
Showing posts with label Control. Show all posts

Saturday, October 23, 2010

8-bit Nostalgia and Miss September 63's Influence on Tactile Controls.

I love my wife’s new nano, the slickness of the interface, its ease of use and the fluid movement of pages on such a small screen is pretty darn cool.  I almost wish Apple would release a developer’s kit to add a control interface capability. Aww, com’on you know you agree, this would be the ultimate key fob.


Yet, am I alone in feeling that the new nano and even the iPad is well, soul-less? I am troubled- only somewhat mildly mind you (I DO work in the belly of the beast)- by the frictionless gloss of icons.  In fact, in the spirit of true disclosure I have to admit that I do not get surround sound, having compared it to overblown quad some years back on a pro AV forum on AOL.   I still, mostly, stand by that assessment today. 


Which brings me to my main point; I miss the tactile feel of a physical interface.  Perhaps it is simple nostalgia but I long for the clickty-clack-clunk of an 8-track tape, the solid mechanical ka-chunk of open reel tape decks, and the tactile feel and response of weighted gain knobs. I am not sure just why I love these knobs so much, the sheer pleasure of them in my hand – they just feel right, perfectly balanced in my fingers and against my palm.  I could make an innuendo here, which would be apt and very Miss September 63, but I think you get the gist.  So deep is my love for the classic high-end gain knob that I argued vehemently to include a version on a product, I was asked to do some preliminary concept work on. (I also wanted it to have a more ‘retro’ look with a maple or cherry wood front. Perhaps I do have too many vintage Playboys with their Cutty Shark ads).  The product got its gain knob but the front is basic black and silver.  


Additionally I tend to gravitate toward older looking games. I still watch in awe at the offerings G4 reviews and get that reflexive itch when I am near new game consoles but I am drawn by a greater gravitational pull – the text based Zork.  If you have ever played this game, you know what I am taking about.  It is a simple game really; it is a treasure hunt with fighting trolls, endless caverns, singing demons in hades and an abandoned dam.  All of this, and your action commands, are in text for which you have to draw maps if you are to get through it all.  It is work, hands on paper and brain imagining in 3 dimensions. Do you know the old saying, that things are far more provocative when a little is left to the imagination, yeah – Sophia Loren like.


So, why I am blathering on about all this? What point could I possibly be trying to make?  I really dig this video by HOLLERADO:


 The Video is a one shot, one chance to get it right, human analog of effects.  'There was a time when we made things with our hands'


 










 


 





Tuesday, May 12, 2009

Confessions of a lightfair virgin


Lightfair was 09 was held at the Jacob Javits Center and with Crestron showing I had and opportunity to attend and get a good overview of the lighting industry.



For the uninitiated Lightfair is a trade show where the main manufactures and suppliers of everything from ballasts to building management systems show off their fixtures, tools and systems.  


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While I consider myself a veteran of over 1000 tradeshows as both presenter and (for the majority) as a behind the scenes technician, Lightfair was illuminating to me. (Sorry, I just could not resist). As I have just begun my tenure in the new position of marketing writer, specifically in support of the lighting division, the show was a good place to acquire marketing material and an education on products and technologies similar to ours.  I also reveled in the general easy tenor of the show; it was a simple task to get around, lacking the press of bodies moving you in directions unintended.  Tradeshows like Infocomm, where the attendees are literally banging at the doors to get in each morning, the pathways can be like a roiling stream of class 4 rapids.  This “benefit” was certainly a worry for the Lightfair sponsors who sent out missives to proclaim 20K registered attendees and the exhibitors could be overheard worrying that they overstaffed their booths. Day 2 on the other hand was much more to the hopes of the sponsors.



Both days I attended it was decent enough out to walk from Grand Central to the Javits, as I used to work on 45th and 11th for a number of years the walk was a bit of nostalgia.  Since I started working in New Jersey and therefore becoming a driving commuter I rarely get to the city and when I do it is to bring the kids to a museum.  I evidently no longer have the native Manhattanite walking pace of my days living on the east side –( I skated everywhere anyway back then).  The slower pace was, at first, disconcerting but I found it gave me the opportunity to walk with my head facing forward not down –(in the bull mode).  In addition to noticing the changes my old work neighborhoods had undergone my NYC-sense started to come back and I could start to identify who was Javits bound. It did not hurt that many had on what I call the tradeshow targets on, those access badges that so many people seem to want to wear outside an event.  In many of the sections of the city directly adjacent to the convention center these badges say one thing- ‘target’.  



When the Democratic National Convention came to town in the 90’s I spotted a 20 something woman at the intersection of 42 and 7th looking very confused and harried.  In addition to the large parcel she was struggling to keep hold of and the 4 inch heels she had a large convention badge with her name, home town and the word DELEGATE.  Around the time of the DNC Times Square was in transition with the seedy side still being pushed out and it was very irritated by the Disneyfication  of the area.  Angry wolves were still trolling the late dusk afternoons despite the heavy police presence. Typical New Yorker I rushed past her making it a full half block (cross town) before my brain registered what I saw and how bad it could go.  I doubled back to her let her know that the cabs with three lights lit on the top were off duty and being 3:30 it was shift transfer time-(90% of the cabs were heading back to the garage).  I hailed an available cab and got her inside, offered her my business card, and informed her that the heels and event badge was not a good combo.  Julie – her name- looked at me wide eyed as I leaned into the driver’s window addressing him by the name on the license-(back then they were mounted in the front passenger side) telling him how to take Julie to her destination.  I corresponded with Julie for a few months after and she shared some stories of her associates being bothered during the event but once they removed the badges whilst walking  the harassment was reduced.



I relate this tale to mark



1. Just how much the city has changed, most people walk around in a manner that would have made me cringe, scream and consider taking up a life of crime.



2. The New New York has reduced the potential for petty crimes and thus more people walk around broadcasting their participation and destination.  Because of this it was quite evident that Wednesday had far more people attending Lightfair.  My zigzag path allowed me to see that the mass of humanity was not just random but was migrating toward a common destination.   By 11 am the exhibitors had the mixed expression of happy relief and harried eyes at the preoccupation of talking to multiple people at once.



4246_1164716238882_1257151575_30460325_7150371_s It is also of note just how many of the attendees and exhibitors were on twitter giving updates on attendance, products, release announcements and general observations.  Everyone noted the enormous number of LED products being shown and the declarations that the revolution had arrived.  The Department of Energy, one of the main proponents pushing LED adaptation, had a booth in the back where they held hourly seminars on everything from ‘LED basics for lighting specifiers’ –(a design guide is anticipated for release in September)- to the DoE testing and certification process.  The LED’s were shown as task lights, street lights, general luminaries, in RGB array , as light walls  and with white or yellow phosphor coating.  There was also what appears to be a ‘PR war’ brewing between the manufacture of traditional incandescent bulbs and the LED people, with tit for tat press releases comparing incandescents to garbage or LEDs as off color and immature technologies.


A good number of the discussions about LED’s centered on CRI, dimming and availability.   The CRI, specifically the level of white had many set into two camps, the first stating that the obsession with the white level was much ado about too little and the second group claiming this was task one –(followed closely by the need for dimming).



Phillips made its dominant presence well felt by not having just a booth but something more akin to a city consisting of 9 or 10 interconnected booths. The Phillips people all appeared to be dressed very corporate, the Men in dark grey suits with Phillips stripped blue ties, the women in late 80’s suits with  matching blue striped scarves-(both reminded me of stewardesses, er..flight attendants).  I call this out as it was in stark contrast to the rest (besides Lutron) of the exhibitors and as there was an accessories show on the floor below, I at first took them to be part of the latter show when I saw them in the lobby. 



The show had a sizable section in the back which appeared to be a collective of Chinese manufacturers of everything lighting. The booth was constructed, intentionally – I think, as if part of an open air or Hong Kong alley way market place.  A quick click pipe frame covered by an orange tarp  created a large rectangular booth which was divided up into smaller square ‘booth-ettes’  where exhibitors had product hung from the frame and on white peg boards in the back.  The offerings were your standard low cost products but a few were showing LED lights as well.


                                


4246_1164780640492_1257151575_30460425_880927_s Lutron had one of the more stylish booths, built in a similar look and style to a Frank Lloyd Wright home; I think it may have been modeled after the one which resides in the MET. True to its inspiration the booth also had low ceilings, lowest of the show, and it reminded me of a story told in a PBS documentary on FLW.  Typical of his work Frank Lloyd Wright made the scale of his homes and furniture to his height (about 5’ 8”) which topped the ceilings off at about 6’ 4”.  Mr. Wright had in his employ, so the story goes, an gentleman who was 6’ plus and whenever he would stand up FLW would shout – ‘Sit down Wes, your ruining the scale’.  I did indeed witness several taller attendees start in then back out due to the height limitation.  I give them an A for concept but a C- on providing accessibility to everyone.



4246_1164776040377_1257151575_30460418_6256904_s On the Odd side of things there was the Down and Dirty, the booth was an 8’ high chain link fence with graffiti covered lockers which had lighting fixtures in them. I cannot say I understood what this was for or if it was associated with any particular company, but they did serve free beer and hotdogs on the second day!  The number of booths offering libation did peak my interest as several offered microbrews on tap and others a selection of California wines.  Near the end of day it started to look more like a social mixer than tradeshow, I half expected someone to start rolling out the kegs and hand out red plastic cups at the door.



4246_1164775040352_1257151575_30460414_3873349_s  I also noticed a far greater number of women attendees than at most other technically centric tradeshows I have attended.  Is this because there are a good deal more women in the lighting field?  I could not find any data to support this but it did appear so over the two days I attended.



 


4246_1164715998876_1257151575_30460324_4986514_s All in all the show was a great experience, not nearly as nutty as others but busy just the same. The booths were creative and had great aesthetic about them; it was almost disappointing to walk out into the sun and workaday lighting after being surrounded by all the color and ambient light. Next year I will have a much better attack plan to seek out the booths and players first, and then look for the niche and oddities. 


What’s the next show I am attending? 


INFOCOMM Orlando baby!  If you are planning to attend let me know, we can share ideas and make time to meet up.





 







 



Tuesday, February 24, 2009

Same thing we do every night Pinky, Plot to TAKE OVER THE WORLD!



Every couple of years someone comes up with a daring plan to have one system take over and become the ubiquitous backbone of a market or function.   MIDI laid claim to something like this for several years in music and interface automation. Universal Plug and Play (UPnP) has continued to fight for complete dominance of the device configuration arena, despite several Bill Gates Blue Screen failuresat live events.  IEEE recently announced the formation of working committees to formulate content over CAT 5 standard.


HDMI has announced – (admittedly, this was announced in January but it is still relevant and moving forward) plans to present HDMI not just for content delivery of video and audio but to act as the data backbone as well.  It is an interesting attempt to grow the usefulness of HDMI and insure its necessity in any wired home; and, of course, fulfill their plans to take over the world!


 The pursuit of one system that does-it-all over a single cable or methodology can be almost spiritual in function, acting as if in recursion, much like the mythical  Ouroboros, forming a constant state of eternal return.  In such cases the apparent limitation and exclusivity are, in actuality, inspiration to development and open new pathways of innovation.


There is also a danger in allowing a single technology to be the medium for all content. Kevin Kelly recently wrote a fascinating and captivating commentary on the Ted Kaczynski\ Unabomber treatise.  In life as well as technology there always exists the danger of over reaching the purpose and function of a topology or medium, winding up like Bellerophon , wandering alone.


At its barest form the concern stems from the debate of centralized vs. distributed control and memory.  Is it best to store values in the processor – (centralized) or to store them in individual units being controlled?   The arguments on both sides carry a great deal of validity and detriment in application.
 
In the Case of HDMI, One has to question if it has the data rate room for 1080p Deep Color (which requires a data rate of  6.7Gbps) and full Ethernet data?  The better question is just what would have to be given up to accommodate the addition of Ethernet backbone topology?  Would CEC have to go away? This would not be such a bad thing as nearly no one actually uses it those who do appear to have only conceived of this as a single source to display concept.  I am unclear, and the press releases does not attempt to answer, just what would have to give, (if anything), In order for this to be accomplished.


 Given HDMi’s severe limitations on cable distance one would have to presume that some manner of CAT 5 solution or converter will be necessary, especially if it is intended for retrofits.  The proposition leaves many who are building HDMI distribution products without an eye towards this latent but present capability suddenly tagged as legacy. For those who designed with an understanding of just what HDMI is, and will be, capable of  the world just may be their oyster.




Update: 2-25-09


Ah, the things twitter can show you.  This morning I opened up my twitter account ,my http://twitter.com/TuckerTues and not the http://twitter.com/CresrtronHQ , and find an endgadget article on the DiiVa connector which claims   


"Forward channel video speeds of 13.6 Gbps provide plenty of room for 1080p and higher resolutions with Deep Color, plus the two-way connection at up to 2.25Gbps that can simultaneously handle multichannel audio, control or other data"


http://tinyurl.com/akh6ep



Tuesday, June 10, 2008

I Sing the Building Electric

David  Byrne has performed several exhibition pieces around the world by playing (and letting attendees play) buildings. The instrument consists of hooking up an organ keyboard to servos and motors attached  to the structures of buildings (columns, beams, radiators, etc) .  


 


David Byrne has more videos of the set up and performances on his website


 The sound is somewhat ambient, moves like dada, and has at its heart the early punk ethos –‘a musician could not play it any better a person off the street…’


 


 



Wednesday, April 16, 2008

Heisenberg Exits Forthwith, Whereabouts Uncertain

There are many dimensions to our universe, some say it is fixed at 4 or 5, others state a 12 dimensional universe actually makes the math in a grand unified theory nearly work.  A good entry level book on this subject is Hyperspace by Dr. Michio Kaku - http://www.amazon.com/Hyperspace-Scientific-Odyssey-Parallel-Universes/dp/0385477058 .



Space and Time are funny things, interrelated and so very separate. Into this fray comes the company Alien which has announced a product which can tell the speed and location of a tagged item. The article



RFID reader can now identify velocity, position of tags



http://www.news.com/8301-10784_3-9917346-7.html?part=rss&subj=news&tag=2547-1_3-0-20



discusses possible uses for airport and military cargo. I see the possibility of using this technology for environment automation. Many green initiatives require occupancy sensing to minimize energy use in unused rooms. Most of these 'people counters' are microwave sensors which only indicate movement or,when mounted to a door frame, numbers in and out of a room. This is a highly inefficient method as the timing between sensing a presence and sensing no presence is awkwardly long.  Imagine using this Alien RFID product to sense presence, speed of the person and by extension direction - to intelligently decide just how bright to make each room traveled through and prepare the next room to be entered.   This is a much more efficient method where the lights are kept on only to ensure an individual can see enough to travel through safely, no time delay.  This is only one possible application, silly versions can have doors open slower or faster depending on your travel speed - thus helping avoid a crash into a half open\closed door.



Now, does this make the   CERN ATLAS particle accelerator  unneeded?