Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, December 24, 2025

Tucker’s Tertiary Tidbits - 2025

2025 was a troublesome child, for many of us, the fear and dismay that started in November 2024 continues to come to fruition - in spades.  

But there is always joy to be found in new experiences that feed the soul and engage the spirit. Impossible as it may seem, one can fight the oppression at our doorsteps, revel in new art and thought, and look forward to better days.

While I am not an international influencer, and my reach has significantly reduced since my heady days as a podcaster, I still like sharing the new things I have found. Some may find inspiration and share their moments of hard-fought Joy.

This list is not to be viewed as a ‘Best of, it is simply the books, bands, food, and podcasts that enthralled and distracted me this year.

Books Where would I be without my books? Despite the modern age urging us to eschew these magnificent tombs, I continue to collect and keep them. From Hunter S. Thompson's letters to the finer points of digital circuitry, my bookshelf is to the point of bursting.

My work schedule at a growing live events company took much of my time and energy. Regardless, I was able to crowbar in a few books this year, and boy howdy did they engage me.


BBC Radiophonic Workshop's BBC Radiophonic Workshop - A Retrospective  William L. Weir

Published on the 33 1/3 imprint, this tiny book ( in physical size and pages) packs a wallop of information and in-depth stories about the formation and evolution of the infamous Radiophonic Workshop.  Most folks will recognize the Dr Who theme they produced, with innovations, sheer creativity, and technical know-how that is almost unbelievable.

The book does an excellent job of detailing the birth of electronic music. The workshop's creations/songs/sounds had a disproportionate influence on English synth sounds of the late 70s and early 80s.

In addition, the author takes great pains to celebrate  (all-too-often unlauded) contributions of women like Delia Derbyshire and Daphne Oram. I am still overjoyed by the great storytelling in tight, well-written prose.

Rock Concert - Mark Myers

This book traces the creation and evolution of the most sacred of gatherings, the rock concert (in this, I include the broad definitions of Rap, Rock, Pop, etc.). Rather than relying on long prose, Mr. Myers lets those who were involved speak for themselves. Using excerpts from interviews, Rock Concert creates a soundscape of a frenetic timeline.

This oral history, while not quite as veracious as Legs McNeil’s history of Punk (Please Kill Me), captures the excitement, frustrations, technical achievements, and business (often nasty) that bring the power of live music to its devotees.

As the 21st-century musician relies more than ever on live performances for income (losing market share in physical media sales), it is more important than ever to understand the origins of a system we still use today.

This is what it Sounds Like: What the Music You Love Says About You.  Susan Rogers & Ogi Ogas

Music is an essential component of the human experience; it has the power to seduce, sway our emotions, excite the senses, and influence our perceptions in real time. This is What it Sounds Like is an enjoyable read that takes a deep dive into the neurological reasons why we connect to the songs and sounds so intimately.

Susan Rogers initially rose to fame in the audio world as Prince’s handpicked recording engineer, a career spanning from Purple Rain through Sign of the Times, as well as producing a host of chart-topping bands. Ms Rogers went on to earn a doctorate in music cognition and psychoacoustics.

The book lays out different modes of music appreciation, then digs into what those preferences reveal about how your brain perceives music. Rogers and Ogas run through song examples (with a Spotify playlist available!). I have read and reread this book over the last 12 months.

White Label Preservation Society: 100 Flop Albums You Ought to Know

Sal Maida, Mitchell Cohen

We all too often measure an artist's success by the number of chart-topping songs they produce, classifying some as kings of pop and others as one-hit wonders. The truth is that there are thousands of bands creating songs that only reach a limited audience, yet can ignite a generation and change the face of an industry.

Twenty years ago, I bought the book Unknown Legends of Rock' n’ Roll off the sullied sidewalks of the East Village in NYC. The pages (along with the flexi-disc inside) fired my imagination and thirst to find historical threads of the music I loved. I experienced the same awe of discovery when one of the authors sent White Label through a friend of my wife.

White Label provides wonder on each page, opening a new world of artists and sounds that stimulate my little grey cells and stir my ears. While the albums listed failed to meet their commercial expectations, the lasting impact on modern music cannot be discounted.  

Bands

How listless life would be without music, humans are hard-wired to create and be moved by the strumming of strings, the beating of ‘skins’, and the bleating of horns. Studies have shown there are unique regions of the brain that respond specifically to music.

Regrettably, studies also show that many individuals stop exploring new sounds in their 20s, often falling into a rut of listening to a dozen songs and fewer bands.  Now in my late fifties, the passion to hear new songs and explore new ideas is stronger than ever- especially when it comes to music.


The Empty Page

From the first moment I heard ‘Cock of the Fifth Year’ from this alt-punk collective via Threads, my ears and heart were hooked. The Trio hails from Manchester and delivers shimmering songs that float between discordant and painfully beautiful pop sensibilities.

The songs explore themes of anguish (personal and political) with deft lyrics, resonating guitars, deceptively simple beats, and beautiful vocals that threaten to soar while maintaining an undertone of ragged angst.  Over the last year of listening, I find myself absent-mindedly whispering the lyrics, swaying my hips, and ruminating on the state of the world.

I am disappointed that I will not get to see this band live anytime soon, given the current political clown show that is the US Government. The snippets of live sets I have seen have whetted my appetite even more.


Crash Nebula

The world is a crazy place, and punk helps to shine a light on hypocrisy and rally the masses to defeat usurpers of humanity. Alas, the revolution need not be delivered with humorless droning or indecipherable shouting - no matter how devoted a Vogon you are.

The Crash Nebula bill themselves as  ‘Pittsburgh’s most handsome pop punk band’ with the charm and chops to back up the statement.  The songs are at once playful and poignant, motivating you to bop and pop around the room before you process the soulful consternation that runs through them.  

I had the chance to hear the band live at the Yonkers Brewery during a show featuring a collection of Pittsburgh-based bands. While Crash did not headline, the band's performance stood out to me.

I also, by happenstance, had a few drinks with the bassist (great guy, loved the conversation). It may also be true (I deny everything, your honor!) that the bartender mistook me for a band member and comped me a few drinks on their tickets. (Yes, I did buy the band a round that night once I figured it out).

The Darts

Raw, Raunchy, Playful, Profoundly fun, The Darts (US) blend genres to create an evocative, rocking, rollicking time. I became aware of this dynamic collection of musicians whilst scrolling late at night on Instagram. I knew immediately that I had to hear more, to learn more about the infectious lyrics and mesmerizing music.

The band's live shows are legendary among fans, running full-throttle from start to finish. Don't let the bare-bones setup fool you; the gals delight in bare-knuckle performances that leave the listener enthralled, amused, bemused, and feeling like you were floating ever so briefly.

The sound weaves Garage Band rhythm, fuzz, rockabilly, country swing, the rawness of 70’s punk, and the soulful precision of 60s girl groups. The songs pop with punchy chords, snappy, powerful drumming, and a beloved organ bringing it all together.

Cannonball

Cannonball, the straight-edge band from Sheffield, UK, delivers a take-no-prisoners sonic assault that delights my ears and makes my heart beat faster. Make no mistake, hardcore is alive and thriving in the hands of this band.  

I am not, nor have I ever been, a subscriber to the straight-edge movement (I drink, still crave smoking, although I do have sympathies to the ethos and political maturations). Regardless, none of this matters as the musicianship and lyrical phrasing are just too damn good to ignore.

If you are looking for solid, give-no-quarter rock’ n roll, Cannonball will hype you up, spin you round, and have you in a musical reverie through solid playing and forthright chants.

Food

For some, food is simply a means of nourishment, so long as the meal before you is not retching, it's fine. While I am no gourmet, my classically trained wife of 30 years has taught me well and afforded me the opportunity to eat at some remarkable restaurants, many of which she cooked at or ran as operations manager.

This year, we scheduled many dates in the City and randomly chose places to eat. The five listed below are my favorites, not just for the food (which is top-notch), but also for the experience. I ask you bear with me in my descriptions, I am still learning how to express my inner thoughts and emotions about these meals.

Le Baratin - 26 Greenwhich Ave, NYC

Classic French cuisine, each meal delights the tongue and relentlessly teases the senses. Le Baratin (which translates into something akin to Flattery or Smooth Talker) is almost hidden away with a doorway so small that if you blink while walking by, you’d surely miss it.

Inside is what the real estate folks would call ‘Cozy’, meaning that the seating is tight and highly personal. What the restaurant lacks in spaciousness (still, this is part of its exclusive charm), it more than makes up for in the food. Here you will find classic dishes such as Escargots Perigord, Magret de Canard, or Croque Monsieur Bites. The kitchen also serves more international fare with a French Twist - Beouf Bourgnon Taco and Le Burger Baratin (with Camembert cheese).

The atmosphere is eclectic with a mix of frames, French magazine pages, plates, ‘provincial scenes, and soccer jerseys (lots of soccer jerseys). At times, it feels like the place is full of friends gabbing in French, much to the staff's distraction.  If you are patient, good things will fill your stomach.

Giano Restaurant - 126 E 7th St, NYC

It is far from a secret that I love Italian food, from the homespun plates at Carlo’s in Yonkers, family style at The Bronx’s own Dominick’s, or dressy Osteria La Baia. Whether it is seafood, steak, chicken, or pasta, the Italians do it right.

This year, Amy and I happened upon a quaint little storefront in the East Village, right on the threshold of Alphabet City. The Lower East Side has always had its share of ‘finer’ dining, sharing streets and even buildings with dive bars and suspect shopping. Today, the streets are a bit less cantankerous (though the old spirit lives on, clearly), and a new breed is stepping up and offering fantastic plates.

​Giano’s is one of those pasta joints that get it so right that I am afraid to mention it, wanting to keep the place all to myself. I love this place, from the host/owner chatting away in Italian to regulars, to the music and decor. This tight but sophisticated space (with a tiny but exciting bar) is warm and welcoming, with intoxicating smells wafting out the door, leading one on like a siren's song. I particularly like the Rigatoni Cime di Rapa e Salsiccia.

Izakaya Juraku - 121 Ludlow Street

Imagine your favorite dive bar, cleaned but not overly polished, serving ambrosia in the form of microbrew beers, delightful cocktails, and “Tokoyo-inspired comfort food. The restaurant feels like the ultimate locals' haunt, eager to embrace newcomers.

The space feels new yet evokes my memory of eateries that inhabited the block in the late 80s to the mid 90s (the days of my youthful cavorting in the neighborhood).  Izakaya is at once comfortable and fresh.

The food never fails to delight - from the Katsu Curry, Brown Butter Miso Ramen, and plethora of skewers, this self-proclaimed gastropub is one that you will return to again and again.

ODO - 72 Main Street, Tuckahoe, NY

Odo is one of those special places that crafts high-level dining experiences without being ostentatious or pretentious. The restaurant offers seasonal dishes that keep you warm in winter and light yet satisfying in spring and summer.  The concept follows Abruzzese cuisine and cocktails (as stated on their website), drawing on the food traditions centered along Italy’s Adriatic coastline.

The space is small but unencumbered - it is simple, while still providing a rustic atmosphere. The food (oh, the food) is deceptively simple but rich in flavor and intoxicating aromas that encircle your senses.


Podcasts

​I love podcasts, from the uber amateur to the highly polished NPR-style series. I am smitten by the format. The truth is that I watch minimal TV (ever since cutting the cord 15 years ago), but the time previously spent on the couch has been replaced with just over 54 audio-only shows I listen to while doing other activities.

​My interests vary; the current lineup includes series on science, psychology, history, technology, sociology, and my industry (Live Events). Regardless of my vacillating interests, one topic remains consistent in my playlists: music.

​2025 saw me seeking refuge in music-centric shows, whether it is the history of music genres, artists' bios, song and sound production, or technical discussions - I immersed myself. Below are the five podcasts that kept me going.

The Ongoing History of New Music - Alan Cross

Alan Cross produces one of the best podcasts on music and the people, technology, and crazy machinations that drive it all. The show is the perfect blend of topics, knowledge, delivery, and production. Granted, Alan has years of experience to lean on - from a nationally (in Canada) known radio DJ, speaker, and writer extraordinaire.

The topics range from ‘Why Bowie Still Matters’,  ‘60 More Band Name Origins in 60 Minutes’, Why Punk Happened, Censorship and Music, and ‘The 100 Greatest Rock Moments of the Millennium So Far’.  And this just scratches the surface.

Ongoing may be the perfect music podcast, as Mr. Cross’s tenor, cadence, and flow of the show are simultaneously engaging and soothing. While I eagerly await each new release, there are thousands of back episodes to explore, and I may never come back up for air.

Geezers of Gear- Marcel Fairbairn

The people who built the industry are known colloquially as ‘Event Staging’. Or Live Events are a smaller community than one might think, yet the innovators often go unknown- even amongst ourselves.  Marcel, in part, sought to bring the old geezers into the light and out from behind the stagecraft and curtains.

​This podcast is, admittedly, for a very narrow audience; it's the equivalent of veterans retelling tales from the days of copper wires, simplistic mixers (not even desks), and slide projectors. If any of that made sense to you, take a listen.  

I do have a rare criticism, Mr. Fairbairn apparently has developed a ‘fully AI-hosted show” to churn out industry news reviews. I am not a fan - if it is not human-centric, it is dead to me.

History of Rock in 500 Songs - Andrew Hickey

I had heard rumors of a podcast that sought to condense the history of Rock’ n Roll through 500 songs, each defined moment in the genre's arc.  Regrettably, I did not start listening until July of '25

​‘Simple enough,’ you might think- set a list and give an overview. Andrew started this podcast in 2023. As of December 21, 2025, he posted episode #182. The shows are a rabbit hole of deep dives into the song's cultural background, inspiration, effects on careers, and the long reach through the years.

​If you LOVE the red string connections that music makes, relishing in every detail from a gifted storyteller- join the fantastical journey.

Strong Songs - Kirk Hamilton

Good songs grab us right away, every element tapping into our desires, emotions, and the very human need to connect. We seek them out for repeated plays and unconsciously store them as earworms that float around our little grey cells.  

​Great songs hold little mysteries, the nuanced ways a chord is played, how the intake of a breath changes the whole structure. The host, Kirk Hamilton, explores the dimensions with the excitement of a neophyte and the rigor of a skilled musician.  

​Kirk has veered off in recent episodes, focusing less on what individual songs and more on the people and processes.  The episodes are still intriguing, just different.




Friday, December 30, 2011

Best. Damn. Music. Show. Ever. Period!

Originally from my Tumblr blog 'Tucker's Tertiary' 


If you are interested in Indie music (or alternative, Punk, proto-punk or what ever other tag you declare your music), I highly recommend listening to The Big Take Over Magazine’s Radio Show this week and next!


Actually you should listen every week and subscribe to the best music magazine ever, yes ever, BigTakeover created. The magazine has been dedicated to the indie music scene for over 30 years with great writing, interviews and reviews of bands you only see there first.


Back to the shows - it is Jack Rabid’s (the publisher of BTO) year in review shows - in two Parts! How could I have missed so much good music?!


The Magazine - http://www.bigtakeover.com
The Radio Show - http://www.breakthruradio.com/#/post/?blog=21&post=1081


 



Sunday, March 6, 2011

Make Music not AutoTune porn

Forgive me for this rare expletive laced first line. What the fark is it with auto tuned voices being considered
the young hip sound?  Would the inventor of this heinous product please stand up and into an open field to Firing squad  be properly dispatched by a firing squad? 


Now, do not get me wrong, I am no musical purist pole sitting up on an ivory column denigrating everything but my own preferred genre, nor is this a screed against today’s youth culture.

I dove in head first to the late 80’s synth sound revolution that dispensed with natural instruments. I am also an obsessed fan of Raymond Scott, the 1940’s & 50’s jazz musician who used his hand-built mechanical synthesisers and relay based sequencers to create new, and to some -bizarre, sounds.  


To be hone Joe meek st vocal treatments of pop and not so pop stars has been a common practice since Les Paul first stacked recording heads and created multi-track and overdubbing. The process was subtle though, a minor tweak to vocals that could match the recording at live events. In this respect I see the value of auto tune in the same vein as outboard gear based on the work of Joe Meek. Similar to Raymond Scott, Joe Meek created his own equipment to process recordings to bring out new dimensions of the emerging rock music scene. 


So, this experimentation and stereotypical overuse is nothing new but there is a greater abuse occurring with auto tune, something  I am calling it  the gallop effect.  



Cindy Gallop is a brand marketing  leader who has also developed several websites including the micro
 action sites “If I Ran the World” and “Make Love Not Porn”.  The latter is an attempt to upend the deleterious effects of porn as sex ed on the under 25 crowd, where acts like ‘the money shot’ are  perceived to be normal and ‘whats supposed to happen’ by both genders. To be clear Ms Gallop’s screed is not anti porn, far from it. What it does fight is a grievous ignorance of the basic facts of sex akin to what 40’s and 50’s mass culture taught (or lacked to tell) their children and what Kinsey railed against - setting in motion a revolution. That cultural shift of openness and honesty eventually led us to a cultural confusion based on a tsunami of readily available media but no grounding in human sexuality from sex ed classes and more importantly parental honesty.










 

The shift in perception that abuse of tools like the now dreaded auto tune (and adult films) begin to alter what characteristics we find to be the height of beauty. Whether  it is the cosmetically enhanced starlets of porn or the equally Frankenstein vocals, the ubiquity overwhelms our frame of reference and imperfections become magnified. When nothing but perceived perfection is acceptable, what happens when you encounter an actual human voice?


Which is why I will still take a warble prone alt-punk singer whose voice carries authentic character over the vocal equivalent of the movie LOOKER’s main foil Cindy, the 1980’s   predecessor to S1m0ne, where perfection has deadly results.  


Of course there is one use of  this device that may just save humanity- Auto Tune the news, Bill and Ted should be so influential. 


 


 


 


 






Saturday, May 22, 2010

Terrestrial Radio is Dead, Long Live Terrestrial Radio- online at least

 Wardenclyffe_tower

I am a true radio geek. I have a very special place in my heart for the modus operandi sound of terrestrial radio.  Similar to the vinyl-phile who loves, nay craves, the hiss and pop of records, I find a comfort in the off air sounds of radio.



I have at times railed against the Clear Channel-ization of radio and promoted the full migration to online listening; I still ‘tune into’ Radio IO, Pandora and even Last.fm more often than off air. Yet I cannot completely extricate myself from terrestrial radios grip.  I was nurtured with it as if mother’s milk to my ears and it provided the final blow to my teen angst – see my “Be In My Broadcast


I have a few choice stations that I tune into regularly which fit my very strict sense of retro-modern radio, by which I mean stations that maintain an old school radio aura but do not live in the past - (admittedly available online).  For brevities sake I am only listing the stations which constantly open my ears and provide me with a mix of music – from the expected to evocative. IMG00315


  Well, that and they all sound great on my home system, car radio and my beloved personally rebuilt 1958 Grundig’s paper speakers.



 


WNYU 89.1 FM :


New York University Radio- There is a lot going on at WNYU with just a many shows as genres one would encounter walking two blocks on St. Marks place in the east village. I fell head over heels for the New Afternoon Show nearly 20 years ago and still listen at least once a week now.  Playing historical true alternative music to the newest acts and underground genres it is a thrilling and challenging listening experience. It was the first place I heard of ‘the seattle sound’ movement back in the late 80’s –(Mudhoney or Mother Love Bone anyone?)  WNYU is an actual college training radio station so the DJ’s are not always quite polished- but that is part of the raw appeal.  WNYU broadcasts from 4pm to 10:30pm Monday through Friday.



WFMU 91.1 FM:


 The seminal free-form radio where shows can range from straight out rock n’ roll to drag racing themed rock a’ billy or thirties cigarette ads.  Every day, every show can inspire and confound you. The station is a true original.


WFDU 89.1 FM:


Honestly I do not know much about the rest of the stations broadcasts, but  Ghosty’s ‘That Modern Rock Show’  show kicks ass.  Playing Old and new alterna-punk, unique interviews and some truly odd ball fare.   His knowledge of music alternative/punk/new wave history, discographies and ephemera is remarkable.  He is the Phil Schaap of modern rock.  The observant reader will notice that WFDU occupies the same frequency set as WNYU.  WFDU only operates from 12am to 3:45pm on Weekdays and on weekends.


WXPK 107.1:


The peak is not one of those radio stations I would naturally gravitate to as it runs the fine line between 'Adult Contemporary' and a true music lover’s station.  I was convinced to take a listen and look at their website by my wife and I thank her all the time for keeping on me.  The Peak plays new music- yes actual new music – and a great mix of rock, blues, dance some pop 40, and live in-studio performances. The stations website is a treat! They feature active playlists which link to video or audio tracks, band sites, live show info and more. I am in love with a mainstream radio station- and proud to admit it.


WKCR 89.9 FM:


The radio station of Columbia University and the single greatest Jazz station on earth. While they play classical, opera, hilly billy country and the music of world cultures. But the Jazz, ah this is just pure heaven.  I listen every morning to Phil Schapps Bridflight – digging Coltrane and the encyclopedic knowledge of be-bop and jazz records Mr. Schapp possesses. I have listened to interviews which the Jazz greats of yore where he corrects them on a timeline placement or a band member who played a show or on an album.  The most common response, after a pause of consideration, is usually a ‘…well you would know better than me, I often wonder if you were there’.


WNYC/NPR 93.9


 I would be rightly admonished  if I did not mention WNYC and NPR music. From Sound Check, Spinning on Air, All Songs Considered and the fantastic NPR music site, I listen for hours on end.  The Shows feature new acts, thought provoking interviews, live in studio sessions and album first listens –(usually until the albums actual release date). WNYC is a truly remarkable music resource for the fan of any musical genre – a great deal of classical and opera as well. I have begun to dig some Opera lately, mostly the arias and solos but I have listened to a few ‘full’ production on the NPR site. 


Do youk know of a station that may just save Terrestrial Radio? let me know.


Updated- 5.25


While I do not listen to Sport Radio that often I am duly enamored with Steve Somers – The schmooze- on WFAN.  His opening monologues are erudite, cultural and most of all require you to be up to date on the latest sports, politics, news and cultural  talking points.


I was able to find a Memorial Day monologue posted on YouTube but you should check for his schedule.  He and his callers are a treat.





Sunday, March 7, 2010

The Birth of Modern Music, The Value of History- a mini tribute to Raymond Scott

Our time is one  of daily paradigm changes  in  the technological, cultural and philosophical  arenas, where today’s internet superstar product is granted 5 minutes of fame only to be usurped at minute 4.5- often by the same creator or venture capitalist.  Despite the contributions to the revolution most of these individual –(and companies)- have made, they are destined to be remembered by only a few associates or researchers of the arcane.


I have been fortunate to have had many mentors –direct and incidental- who helped create or were involved from the onset in the early days of multi-image, AV and music recording.  Most of their names would be unknown or, perhaps, considered irrelevant to current installers, content creators or even heads of companies in the industry, yet they practice or build on the architecture and processes that these folks established.  I was also fortunate to have teachers in trade school who thought it was of great importance to at least expose us some of the history of the art and technology we were learning to handle.   While much of the education in the glory of my ‘forbearers’ was somewhat erudite, I did get  hands on training on split line RCA boards, refurbishing a Mellotron and the odd art of multiple projector slide shows. Much in the fashion of car restorers or mechanical archivist I was granted the oral history and hands on practical from these guys.    







One of the many quirky personalities and remarkable innovators I discovered by association (and have loved to read about and explore his work to this day) is Raymond Scott.  In a similar vein to the just as unique and visionary Joe Meek, Scott had a special relationship with music that helped change it forever. In fact he should be as well known as Les Paul for his contributions to music and the AV industry in general.  Jazz musician, inventor of the sequencer and the person nearly every sound a vending machine, ATM or ring tone makes can trace its roots back to, in one way or another.


 






 


Like Alan Turing, Raymond Scott has posthumously developed a cult following for his remarkable insight and contributions. Turning may have saved the world and Scott may just have saved music. There are a number sites –which I list below – dedicated to the work and times of Raymond Scott, if you want a one example proof of his influence- chew on this.  Mr. Scott had in his employ for some time a young electronics maven who he set to work helping finish and build circuits for his ' Electronium; that young man was none other than Bob Moog.







 Even ‘dead’ technology has something to teach and knowing where things came from provides fodder for innovation and creative thinking.  Are you teaching this information to your young wire guys and installers?  Do you, or they, know about UNIVAC? Or why we call it a ‘ Bug’ when code is erratic?


 I highly suggest finding the video collection of the ‘Connections’ series hosted by James Burke whose Scientific American essays the shows are based on.  They may not answer the previous questions but it will start you on a path to thinking about ‘just how did we wind up doing it this way’ or ‘how anyone ever thought to do that!’


The past is not dead, we live it every day, we just have to where to look.












I have linked key words in the post  with links, but i have been often asked to send the group via email. 



Raymond Scott website: http://www.raymondscott.com/


Raymond Scott synopsis:  http://en.wikipedia.org/wiki/Raymond_Scott


Robert Moog overview: http://en.wikipedia.org/wiki/Robert_Moog


Joe Meek: http://www.google.com/#hl=en&source=hp&q=joe+meek&aq=f&aqi=g10&aql=&oq=&fp=4bd1efb53b2bf9c5


Alan Turing http://en.wikipedia.org/wiki/Alan_Turing


UNIVAC http://ei.cs.vt.edu/~history/UNIVAC.Weston.html


The Electronium and Clavivox    http://images.google.com/images?um=1&hl=en&tbs=isch%3A1&sa=1&q=Electronium&aq=f&aqi=&aql=&oq=&start=0&social=false


James Burke- Connections: http://video.google.com/videosearch?hl=en&q=james+burke+connections&um=1&ie=UTF-8&ei=DBSUS--IBZC1tgeItvDUCg&sa=X&oi=video_result_group&ct=title&resnum=4&ved=0CC8QqwQwAw#


Mellotron  http://www.youtube.com/watch?v=eR6D1ZH2CMk