Sunday, May 24, 2009

Station X (or why Math is equal to guns in war)- Memorial Day

 Turing machined
 
Why did the allies win? For a good deal of WWII the allies were on their heels, fortress Europe appeared to be lost. A good many fine men and women gave the ultimate sacrifice, meeting their end by a bullet. The bravery and ultimate good of these soldiers in defeating the German and Japanese threat is well know and unquestioned. What many people do not realize is just how important the code breakers of Bletchley Park were to the success of the allied effort.


Bletchley Park and its main mathematician-Alan Turning- figured out methods to decode the NaziEnigma machine and later other high level Nazi and Japanese codes. Early on the codes were decoded by the brute force method of hundreds of ‘decoders’ working of every possible variation. While this worked it was hardly ‘real time’ and the information could be irrelevant by the time it was fully decoded. The site received thousands of coded messages a day. Imagine trying to find what was important and what was old news! 


Alan Turning designed a machine to decode the messages in ¼ the time. Bombe was something of a difference engine- only its purpose was the salvation of the world.


President Obama has asked (we Americans anyway) to thank a soldier, I have done so at today’s Hastings on the Hudson memorial day parade, I also plan on a moment of silence  for the code breakers of Bletchley Park- for without them it would be uber alles, uber alles.



Saturday, May 16, 2009

Be in my broadcast when this is over

Paul Sidney died a few weeks ago, in all likelihood you have never heard of him but if you are in anyway involved in community building, you need know about him.  Paul Sidney ran and was the voice of WLNG radio out of Sag Harbor Long Island.  WLNG is local as local radio can get. The station is a throwback to late 50’s style of operation where announcers add echo and heavy bottom EQ to their voices and the News is local, local and local.  Growing up in the Hamptons of Long Island it was it was impossible to not be influenced by the sound and programming of WLNG as it was everywhere and literally at every event.


You can read Paul's obituary here, it tells the tale of his coming over to WLNG, becoming its driving force and cult of personality. What it will not tell you is just how deeply he ingratiated himself and the radio station into the very fabric of the lives of those who listened to ‘LNG and even those who did not.  The comments section of the article will do that well enough.


In addition to music and local news WLNG features live call in shows such as "Swap n' Shop" -where people call in to trade a 1940’s fly wheel for a couch or someone looking to buy or swap for a full set of tools and toolbox.  While at times it can be nap inducing it also is a window into people’s lives, needs and character. Paul would not just help the caller to describe what they wanted to trade or relive themselves of but also would check on their status – he engaged them in conversation about the news of their neighborhood.  It was not radio it was community.


The radio station was among the first to have merchants record their own commercials, clearly not professional actors but direct and personal. The ads could be grating and awkward but then so were all the rest and yes, it was the person who owned the store. The ads always left  you feeling – ‘that’s Jim’s place, I should stop by and see how things are doing.


Having the mission to be local as local radio gets WLNG and Paul would travel to every possible event occurring on the east end of Long Island, eventually using two fully equipped remote trucks .  The remotes were Mr. Sidney’s glory and crowning achievement.  These over-sized airstream RV’s were literally at every store opening, town parade, fund raiser and carnival. The draw an ‘LNG remote could –(and still does I am told)- muster was phenomenal. It was not an event of note if the remote trucks were missing. Paul knew how to work a crowd, how to detail just enough to give listeners a good picture- keep them listening AND to attend the event.


In my mid to late teens I developed an overly impressive angst about my surroundings and began a lifelong quest to find new, interesting and thought provoking music and media. This local radio station was the epitome of all I wanted to get away from. In my rush to find something else, the remarkableness of Paul Sidney and WLNG was ignored. As a young person, grappling with defining a personal identity, you grew to loathe when parents put WLNG on, pronouncing it one of the seven signs of local lameness. Yet hearing the station was always comfortable, like going to the carnival with your younger brother- you would rather go alone, check out the girls and hang with friends. But he’s your brother and its okay. 


I left for NYC and its heady world of aggregating cultures and slick production values leaving the ‘farm report’ station behind me.  Imagine my shock when I attended an NAB (National Association of Broadcasters) tradeshow and one of the first things I see upon stepping on to the exhibit floor is Paul surrounded by a flock of people.  I nearly retained my youthful arrogance and rushed by thinking ‘what’s this goat doing here, intruding on my sanctuary?  Instead I stopped to see just what everyone was doing around Paul Sidney.  The questions were eager often hyperactive, asking just how such a small station could grab such large shares in the face of the conglomerates and city backed stations. Paul Sidney’s answers stuck me and started to chip away at my preconceived notions.


My thoughts wandered back to WLNG and Mr. Sidney as I started to get involved in hosting bulletin boards on BBS, AOL and later a few web communities in the early to mid 90s.  It always struck me that group chat rooms were, in effect, community halls- only broadcast. Many compared and still compare them to the days of CB radio popularity, complete with the snide disregard for the value of conversations it generated. The online community often overtly revels in the fact that they are community, ideas are shared and bonds forged. More often than not individuals or groups talk just to hear themselves but in the end fundamental value is created– community radio.  Social media now is, in part, the largest community radio project only the community is not a location but global and based on common interest. 


Next time you tweet an event, start a rolling discussion on FriendFreed or post ‘real-time’ photos to facebook, remember that you are utilizing a form once dominated by people who used radio to build and keep communities talking. We owe our current mass media social networking to men like Paul Sidney, they may not have fully understood the import and impact , they provided the framework for it to be successful.


  


Paul Sidney’s Über local radio is the model social media should pay attention to, all media is local, regardless of the physical location of the community. Those of us who take forward positions in the creation and application of social media groups need to remember the passion, investment and yes, love of the community Mr. Sidney exhibited.  I for one will miss his voice and although I rarely venture back to the Hamptons he and WLNG will always be the sound of The sound in my head.


 


 Edit: *added August 9, 2013 - Inspired by a Post on the 50th anniversary of WLNG in the Sag Harbor Experess 


 


As a Co-Founder and producer for the Pro Audio Visual community podcasting network AVNation.tv I find that I take Mr. Sidney's leadership and example to heart with every show and every episode we produce.  Love the medium, love the community - revel in every nuance.  


 


 



Tuesday, May 12, 2009

Confessions of a lightfair virgin


Lightfair was 09 was held at the Jacob Javits Center and with Crestron showing I had and opportunity to attend and get a good overview of the lighting industry.



For the uninitiated Lightfair is a trade show where the main manufactures and suppliers of everything from ballasts to building management systems show off their fixtures, tools and systems.  


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While I consider myself a veteran of over 1000 tradeshows as both presenter and (for the majority) as a behind the scenes technician, Lightfair was illuminating to me. (Sorry, I just could not resist). As I have just begun my tenure in the new position of marketing writer, specifically in support of the lighting division, the show was a good place to acquire marketing material and an education on products and technologies similar to ours.  I also reveled in the general easy tenor of the show; it was a simple task to get around, lacking the press of bodies moving you in directions unintended.  Tradeshows like Infocomm, where the attendees are literally banging at the doors to get in each morning, the pathways can be like a roiling stream of class 4 rapids.  This “benefit” was certainly a worry for the Lightfair sponsors who sent out missives to proclaim 20K registered attendees and the exhibitors could be overheard worrying that they overstaffed their booths. Day 2 on the other hand was much more to the hopes of the sponsors.



Both days I attended it was decent enough out to walk from Grand Central to the Javits, as I used to work on 45th and 11th for a number of years the walk was a bit of nostalgia.  Since I started working in New Jersey and therefore becoming a driving commuter I rarely get to the city and when I do it is to bring the kids to a museum.  I evidently no longer have the native Manhattanite walking pace of my days living on the east side –( I skated everywhere anyway back then).  The slower pace was, at first, disconcerting but I found it gave me the opportunity to walk with my head facing forward not down –(in the bull mode).  In addition to noticing the changes my old work neighborhoods had undergone my NYC-sense started to come back and I could start to identify who was Javits bound. It did not hurt that many had on what I call the tradeshow targets on, those access badges that so many people seem to want to wear outside an event.  In many of the sections of the city directly adjacent to the convention center these badges say one thing- ‘target’.  



When the Democratic National Convention came to town in the 90’s I spotted a 20 something woman at the intersection of 42 and 7th looking very confused and harried.  In addition to the large parcel she was struggling to keep hold of and the 4 inch heels she had a large convention badge with her name, home town and the word DELEGATE.  Around the time of the DNC Times Square was in transition with the seedy side still being pushed out and it was very irritated by the Disneyfication  of the area.  Angry wolves were still trolling the late dusk afternoons despite the heavy police presence. Typical New Yorker I rushed past her making it a full half block (cross town) before my brain registered what I saw and how bad it could go.  I doubled back to her let her know that the cabs with three lights lit on the top were off duty and being 3:30 it was shift transfer time-(90% of the cabs were heading back to the garage).  I hailed an available cab and got her inside, offered her my business card, and informed her that the heels and event badge was not a good combo.  Julie – her name- looked at me wide eyed as I leaned into the driver’s window addressing him by the name on the license-(back then they were mounted in the front passenger side) telling him how to take Julie to her destination.  I corresponded with Julie for a few months after and she shared some stories of her associates being bothered during the event but once they removed the badges whilst walking  the harassment was reduced.



I relate this tale to mark



1. Just how much the city has changed, most people walk around in a manner that would have made me cringe, scream and consider taking up a life of crime.



2. The New New York has reduced the potential for petty crimes and thus more people walk around broadcasting their participation and destination.  Because of this it was quite evident that Wednesday had far more people attending Lightfair.  My zigzag path allowed me to see that the mass of humanity was not just random but was migrating toward a common destination.   By 11 am the exhibitors had the mixed expression of happy relief and harried eyes at the preoccupation of talking to multiple people at once.



4246_1164716238882_1257151575_30460325_7150371_s It is also of note just how many of the attendees and exhibitors were on twitter giving updates on attendance, products, release announcements and general observations.  Everyone noted the enormous number of LED products being shown and the declarations that the revolution had arrived.  The Department of Energy, one of the main proponents pushing LED adaptation, had a booth in the back where they held hourly seminars on everything from ‘LED basics for lighting specifiers’ –(a design guide is anticipated for release in September)- to the DoE testing and certification process.  The LED’s were shown as task lights, street lights, general luminaries, in RGB array , as light walls  and with white or yellow phosphor coating.  There was also what appears to be a ‘PR war’ brewing between the manufacture of traditional incandescent bulbs and the LED people, with tit for tat press releases comparing incandescents to garbage or LEDs as off color and immature technologies.


A good number of the discussions about LED’s centered on CRI, dimming and availability.   The CRI, specifically the level of white had many set into two camps, the first stating that the obsession with the white level was much ado about too little and the second group claiming this was task one –(followed closely by the need for dimming).



Phillips made its dominant presence well felt by not having just a booth but something more akin to a city consisting of 9 or 10 interconnected booths. The Phillips people all appeared to be dressed very corporate, the Men in dark grey suits with Phillips stripped blue ties, the women in late 80’s suits with  matching blue striped scarves-(both reminded me of stewardesses, er..flight attendants).  I call this out as it was in stark contrast to the rest (besides Lutron) of the exhibitors and as there was an accessories show on the floor below, I at first took them to be part of the latter show when I saw them in the lobby. 



The show had a sizable section in the back which appeared to be a collective of Chinese manufacturers of everything lighting. The booth was constructed, intentionally – I think, as if part of an open air or Hong Kong alley way market place.  A quick click pipe frame covered by an orange tarp  created a large rectangular booth which was divided up into smaller square ‘booth-ettes’  where exhibitors had product hung from the frame and on white peg boards in the back.  The offerings were your standard low cost products but a few were showing LED lights as well.


                                


4246_1164780640492_1257151575_30460425_880927_s Lutron had one of the more stylish booths, built in a similar look and style to a Frank Lloyd Wright home; I think it may have been modeled after the one which resides in the MET. True to its inspiration the booth also had low ceilings, lowest of the show, and it reminded me of a story told in a PBS documentary on FLW.  Typical of his work Frank Lloyd Wright made the scale of his homes and furniture to his height (about 5’ 8”) which topped the ceilings off at about 6’ 4”.  Mr. Wright had in his employ, so the story goes, an gentleman who was 6’ plus and whenever he would stand up FLW would shout – ‘Sit down Wes, your ruining the scale’.  I did indeed witness several taller attendees start in then back out due to the height limitation.  I give them an A for concept but a C- on providing accessibility to everyone.



4246_1164776040377_1257151575_30460418_6256904_s On the Odd side of things there was the Down and Dirty, the booth was an 8’ high chain link fence with graffiti covered lockers which had lighting fixtures in them. I cannot say I understood what this was for or if it was associated with any particular company, but they did serve free beer and hotdogs on the second day!  The number of booths offering libation did peak my interest as several offered microbrews on tap and others a selection of California wines.  Near the end of day it started to look more like a social mixer than tradeshow, I half expected someone to start rolling out the kegs and hand out red plastic cups at the door.



4246_1164775040352_1257151575_30460414_3873349_s  I also noticed a far greater number of women attendees than at most other technically centric tradeshows I have attended.  Is this because there are a good deal more women in the lighting field?  I could not find any data to support this but it did appear so over the two days I attended.



 


4246_1164715998876_1257151575_30460324_4986514_s All in all the show was a great experience, not nearly as nutty as others but busy just the same. The booths were creative and had great aesthetic about them; it was almost disappointing to walk out into the sun and workaday lighting after being surrounded by all the color and ambient light. Next year I will have a much better attack plan to seek out the booths and players first, and then look for the niche and oddities. 


What’s the next show I am attending? 


INFOCOMM Orlando baby!  If you are planning to attend let me know, we can share ideas and make time to meet up.