Friday, April 12, 2013

The AV and IT Conversion Conversation

This article originally ran on Corporate Tech Decisions magazine

Ethernet once was the dominion of the IT folks who made sure that you could find the files you needed on the server or could send these to the networked printer. As AV folks, we lived in a “...and never the twain shall meet” coexistence, and there was balance in the world. Even though Ethernet, the process of networking computers together, is nearly 30 years old, audio/video and control systems rarely venture into connecting via the RJ45 (the one that looks like an old phone connector on steroids). This is no longer true, as every manufacturer is expected to have a network port and an app for Ethernet connectivity.

As could be expected, when the AV folks began to start connecting systems to networks once solely populated by beige sedate machines, conflicts were sure to arise. AV and IT have officially entered into a serious and lifelong wedded bliss. In any marriage, some presumptions or even misunderstandings can persist until the partners reach the point where paragraphs can be communicated with a word and a look.

To help alleviate the inevitable conflicts, let's chat about some common terms and misconceptions and how to work through them; think of it as preemptive counseling.

What’s the IP addressing, Kenneth?

Most of us know that this refers to the address of a device or computer, but hey, it’s early, and we must ease ourselves in. As a refresher - If your computer is on the network, it has an Internet Protocol Address (IP Address); this is how the servers and IT managers know where and when you are on the system.

A bigger question is whether or not the device can be addressed via Dynamic Host Configuration Protocol (DHCP), static, or both. These are two addressing schemes IT departments use to manage devices and access. Static means just that, an address that is set and never changes, you want this for access to a common shared item like a printer. DHCP describes addresses that can change each time you connect to the network. DHCP chooses an address from a pool and allocates them as needed. These can have a determined lease time: one day, one week, or 3 hours. The benefit of DHCP is that once a group of addresses are set aside in a table, they can be assigned or put back in the pool automatically, taking the burden of having to manually supply an address to each user or device. Which one to use depends on how the network is set up and designed to be utilized.

Porcine by Any Other Name, Still Not a Hog?

One of the main concerns of an IT department upon being presented with an Ethernet ‘appliance’ like a control system processor or devices from media servers to thermostats or lighting control switches is that it will hog the bandwidth. Their fear is founded in the IT departments’ prime directive. All business data must be the top priority to the detriment of all others. Email and other business applications must remain operative at threat of the COO’s wrath, not a fate we wish on any of our co-workers.

The truth is that this all depends on what the device to be hung on the network actually does. This can be a bit like rehashing what the definition of “is,” but there is something to this, and knowing the difference can help alleviate the debate. A control system can potentially create a bit of traffic as they poll all devices connected to them on the network or relay commands from a tablet or smartphone app and update feedback from them. In the larger business network, this is minimal and should not be of great concern in most common install applications. There are exceptions that prove the rule, of course, and each must be considered individually, but on the whole, a few conference rooms controlling lighting and equipment will barely register above the general network traffic.

The Formidable Porcine

On the other hand, there are some devices that will rightly put the IT department into a screechy, bug-eyed rain dance. While sending control commands to a video or audio player is minimal regarding traffic generated on the network, sending the actual video or audio can be real trouble. The Stones may have sung, “...it’s only Rock n’ Roll…,” but the truth is that it takes gobs (that’s a technical term, folks, I swear) of data to send a simple song from one computer to another.

Many manufacturers of professional media streaming devices will recommend that the CAT5/6 output(s) be connected to their dedicated network to allow for bandwidth room and avoid mucking up mission-critical network usage. (There is also the danger of putting an unwanted voltage on the line with proprietary pinouts). While connectivity for Ethernet control and maintenance can live off of the general network, the pipes for the actual media often live on their own parallel network.

There is another more pervasive gremlin to the well-balanced company network; the era of consumer networked streaming appliances has the potential to turn mild-mannered IT folks into hypersensitive hypochondriacs for a good reason. The fast rise of small and portable boxes like Roku, Apple TV, TiVo stream, and a host of others that can connect in moments and begin streaming great boatloads of content (data) can bring a system to its knees. 

Add to this folks who see nothing wrong with connecting digital signage boxes (many made by the folks listed above), and you can see why bringing your own device is a maddening proposition. Think of it this way: IT does not bemoan, chide, scold, and often outright forbid employees from connecting to popular web-based audio and video sites just because they are the “no fun police.” The potential for multiple tablets or mobile devices turning into mini streaming portals is just too much by half. Best advice? Just because it worked at home without ill effect does not mean it is harmless on the work network.

Preventing the Pandemic

Nothing can put the knee-knocking night sweat fear into network administrators more than a virus being set wild on their system. It is bad enough that some people will click on a link promising fabulous wealth for a $100 deposit from someone they never heard of. Now, you want to put a device they have never seen before, which does not include their standard suite of defense tools on their network? You can see why some flat-out refuse to even consider the option.

Overall, pro-network-capable AV devices are less prone to virus attacks and hacking as they use embedded operating systems and generally do not have the type of vulnerabilities inherent in more prolific software architectures. The fact is that these control systems do not have enough of an install base to merit all but a passing glance from those looking to wreak havoc. Any control system or other device that uses an open-source OS or consumer platform, like XMBC, which is the basis of many home content boxes or removable storage, is prone to attack and can act as a gateway to the larger system.

In the end, the marrying of AV, IT, and other non-standard network equipment is inevitable. Like any relationship or marriage, you really never know someone until you move in with them, share common space, and have to share the duties. This process of converging technologies and landscape will have its highs and lows, but taking the time to sit down and break bread between the departments will go a long way to minimizing conflicts.

I encourage you to comment below to let me know what you think I missed or even outright got wrong. My experience may not be yours.


 



CODIFYING CODPIECE






This post originally appeared on the 
AVNation.tv site

 

Andrew Robinson, formally an editor at Home Theater Review, continues to make waves among the Ivory Towers holders of Audiophilia, and I like it.


I like it a lot.


Mountain Fresh Air

Andrew is a breath of fresh air, like a straight-line wind of fresh air, inside the hobby world of home theater. One of the first Salvos I heard was in the form of his report/ review of the Rocky Mountain show, where he barely contained a direct and well-deserved dressing down of the exhibitors. His premise? That the high fidelity, high-resolution proponents and manufacturers have effectively priced themselves out of any community growth.


In effect, the audiophile holy rollers codifying the culture has resulted in them shooting themselves in the foot repeatedly.


Perhaps this is a pushback from the consumer and "PROsumer" products, which have had a seminal rise with viable budget-conscious buyers options. There is something to be said for defending quality and excellence, but when it comes to the result of circling the wagons, it also creates a wall. Every manufacturer is looking to draw folks in with their array of 'oh, Wow' products posted as glossy equipment pornification in magazines and blogs. What happens for the rest of us once we get past these obvious, select client-only devices?


Gilded Cages/Ivory Towers 

When I started out as a young man attempting to cobble together a better system, many of my best tutors owned remarkable systems but took the time to show me why they decided on the gear they had but, more importantly, showed me how to choose the quality at my budget. There was an entry-level ability, one with room to grow.


Codification when it comes to standards or procedures – the process to ensure the best work is accomplished – is valid, and I know that this is what many in the hobby are trying to do in their heart of hearts. Sadly, what a mid-level enthusiast like myself endures feels like the strutting of Codpieces, no longer concerned with the qualities; it has morphed into the bejeweled and feathered presentation of superiority.


Killing A Culture

A funny thing happens when you start to codify a culture rather than strengthen it begins to deteriorate.

In the early 1980's I was deeply involved in the nascent alternative and punk culture. When you think of punk, it often consists of the image of a metal-studded leather jacket and buzz cut or Mohawk-topped youth. But this was not the case at the start. If you had attended an early punk or American hardcore show, the folks in the audience and on stage ran the gamut of looks. From plaid shirts and sports jackets to surfer types with long hair and buzz cuts wearing loafers and Dr. Martens boots. Look at Iggy and the Stooges- not your atypical punkers with bowl cuts and rocker's hair.


Those early days were amazing times of breaking the bonds of the corporate music monopoly and spurring a revolution in DIY ethos from The Cleaners From Venus/Martin Newell cassettes to the Detroit sound. Rock music was stripped of its over-embellished predecessors' indulgences back to the blues roots made to snarl with Les Paul's electrified steel-stringed guitar. As the genre gained traction and its ranks started to swell, a change occurred. Slowly but surely, the scene began to stratify into semi-distinct subgroups – perhaps because of outside scorn or a desire to be unique, the fans of these new genres began to codify what look was acceptable.


 Where once it was okay to attend a Dead Kennedys show with long hair, it soon became a daredevil proposition; this much to the lament of the scenes provocateurs and stars. Like the WWI trains, before the biases could be healed, travel was already in motion, and the lines of battle were drawn. To be sure, there were always the talented (The Clash, Elvis Costello, Fugazi, The Ramones ) and those less so, but with the stratification and codification came a loss of power and message. And snobbish aspersions were cast upon anyone not in the clique.


Audiophilla, Auto-Asphyxiated

The audiophile hobby has turned into an elitist club not because it is necessary to do so but because those promoting it as such find pleasure in dismissing others.


Am I wrong? Prove it – Andrew is the only one, so far, in the hobby media to welcome those of us who are just starting out or have defined budgets. If not for him, I would stick to my high-resolution digital music and headphones.


In the end – This is bad for the hobby and the business of AV integration. If I am reluctant because of the closed-shop mentality of the hobby, why would I pursue the next step?